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歐萊雅·阿瑪拉,Damien Rebattel,Vivien Rodriguez,Claude Chaballier,Elies-Morgan Admi-Bensellam,Pierre Roux,Marinette Rafai,Renaud Vinuesa,Benjamin Cuillé,Philip Chabanon,Cendrine Lapuyade,Vincent Ribera,Bruno Séguier,Jacques Valentin白天是阿波羅,晚上是雅典娜
吉澤姆·比爾根,梅利·杜澤恩利,巴里斯·戈內嫩,內拉·卡亞巴西,拉爾·曼蘇爾,德尼斯·圖爾卡利,塞倫·烏柴爾,埃茲吉·切利克怪談晚餐
樸昭怡,劉多仁,尹賢旻,張光,李周英,金周靈,高恩敏,李素英,吳承姬,張睿恩,張丞延,金太竣,潘素英,申銀秀,金浩貞,金東英,申文成,金太勛,趙在允,崔秀林,樸真雅請以你的名字呼喚我
艾米·漢莫,提莫西·查拉梅,邁克爾·斯圖巴,阿蜜拉·卡薩,艾斯特·加瑞爾,維克圖瓦爾·杜布瓦,旺妲·卡布里奧羅,安東尼奧·里莫爾迪,埃琳娜·布奇,馬可·斯格羅索,安德烈·艾席蒙,彼得·斯皮爾斯喂,應為
長澤雅美,永瀨正敏,高橋海人,大谷亮平,筱井英介,奧野瑛太,寺島忍四封情書
費昂·奧謝,安·斯凱利,皮爾斯·布魯斯南,海倫娜·伯翰·卡特,加布里埃爾·伯恩同類推薦
怒海浩劫
李岷城,林妍柔,彭士騰,曹操,黃一晗,于小彬,李巖,李媛,海波影片講述了能源科考隊冒險者號深潛器,在深海海溝執行探測任務時,突遭神秘暗流沖擊,墜入了海底未知禁區內,艙內四名隊員失去聯系,生死未卜。中國救援隊青龍號臨危受命,奔赴深海緊急救援,一場奇幻震撼的驚險之旅就此展開......
密林深處
伊希爾·勒·貝斯柯,納威爾·佩雷茲·畢斯卡亞特,馬修·西莫內,Jér?me Kircher,Bernard Rouquette,Jean-Pierre Gos,Luc Palun,讓-克勞德·古盧姆伯格,Jean-Marc Stehlé,Yvette Peyremorte故事發生在1865年的法國南部,流浪漢狄默提(納威爾·佩雷茲·畢斯卡亞特 Nahuel Pérez Biscayart 飾)來到了這里,為了避人耳目,他假裝自己是聾啞人,在這里的一座小村莊中住了下來。在村子里,狄默提邂逅了名為約瑟芬(伊希爾·勒·貝斯柯 Isild Le Besco 飾)的女子,美麗善良的約瑟芬一下子就吸引了狄默提的注意?! 〖s瑟芬的父親休斯(讓-克勞德·古盧姆伯格 Jean-Claude Bolle-Reddat 飾)是一個熱情好客的男人,他慷慨的邀請狄默提來家里做客,可休斯的善意卻并沒有得到狄默提的回報。狄默提用一種古老而又邪惡的方法催眠的約瑟芬,將她帶進深山老林之中肆意凌辱。
死產兒
克里斯蒂·柏克,杰西·莫斯,麗貝卡·奧爾森,邁克爾·艾恩塞德 Michael Ironside,詹·格里芬,希拉·麥卡錫 Sheila McCarthy,肖恩·羅格森,迪倫·普萊費爾,Grace Christensen影片講述的是一位新媽媽 Mary (克里斯蒂·柏克 飾)保護新生兒 Adam(Grace Christensen 飾)的故事。Mary 生了一對雙胞胎,但其中只有 Adam 存活了下來。在照顧 Adam 的過程中她瘋狂地認為有某種超自然的實體在不惜任何代價地把 Adam 從她身邊帶走。
讓她走
Alanna LeVierge,Nina Kiri,Adam Christie,Kate Fenton,Michael Lipka,Brooke Henderson,Glen Reid,Deborah Jayne Reilly Smith,Kyle Hytonen,Paul McGinnis,Eric Picard《尸控網路》寇帝卡拉漢執導,2016多倫多暗夜恐怖電影節丶2016倫敦恐怖電影節。《變蟲人》《鬼水魔咒》制片團隊挖掘「消失的雙胞胎」現象之謎。面對自我邪惡雙生的另一面,你該任其操控,或是奮力抵抗?
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster