總是說是
Heccor從埃莫西約旅行到墨西哥城，希望為攝影集體裸露裸體。離開他的朋友和他的抑制，赫克托決心試驗他的欲望沒有限制，承諾自己總是對每一個新的情況說是，無論什么。對性和欲望的原始而明確的檢查。
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瑞典魚雷
Josefin Neldén,米克爾·福爾斯加德,Arthur S?rbring,麗莎·卡勒希德,貢內爾·弗雷德World War II is around the corner, but the only thing Sally Bauer can think of is the ocean. Her dream is to swim across the English Channel. Her father has tried to exorcise her obsession with swimming since she was a toddler, without success. An unwanted pregnancy forces her to abandon her dream – and herself. The child’s father does not want to be involved, so as a woman in the ‘30s in Sweden, Sally has no choice but to do what is expected of her: to be a mother. There is no place left for her dreams and Sally is pulled into bottomless darkness, until her sister Carla saves her. With renewed purpose, together the sisters begin to dismantle the conventions they are constantly facing. In late August 1939, Sally stands on the shore at Dover and takes her first step into the English Channel. She swims across the open and icy sea for 15 hours, waving to the Navy who are readying for war. A couple of days after Sally swims ashore at Calais, Poland is invaded.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
出賣她的肉體
弗里達法瑞爾,加布里埃爾·奧爾德斯,馬修·馬斯登Selling Isobel, a thriller based on true events, featuring the real victim in true life playing the main charter. It's about a woman who got locked in, drugged, held against her will and sold to numerous men for 3 days in an apartment in central London. It's a film about her fight for survival all the way to the gruesome end.
四十而惑
保羅·路德,萊斯利·曼恩,杰森·席格爾,克里斯·奧多德,梅根·福克斯,梅麗莎·麥卡西,莉娜·鄧納姆,艾伯特·布魯克斯《一夜大肚》中的夫妻皮特（保羅·路德 Paul Rudd 飾）與黛比（萊斯利·曼恩 Leslie Mann 飾）如今年過四十，雖然黛比已經擁有一個不錯的精品店，皮特也開了自己的唱片公司，然而生活的暗礁還是漸漸圍困了這個家庭：不僅皮特開始需要借助“偉哥”，兩人的父母也年歲漸衰，需要供養，皮特的唱片店近來也在艱難維系，兩個還在上學的女兒更是每天把家里弄得雞飛狗跳。夫妻二人深感走入了愛情墳墓的同時，連生活的激情與樂趣也將要被消磨殆盡。黛比在與朋友談心之后，終于決定要挽救自己的婚姻，而此時，她已經懷上了皮特的第三個孩子…… 本片為導演在2007年的喜劇電影《一夜大肚》的一個獨立續集。
跳動的心2
特里普蒂·迪姆里,維品·沙爾馬,希坦特·查杜爾韋迪這部電影探討了社會思想中根深蒂固的階級和地位障礙，強調了一種永遠無法實現的愛情敘事。還是可以？
孽欲之殤
Karanvir Sharma,Mannara Chopra,Shraddha Das一個花花公子搬到海濱別墅撰寫犯罪報道，在那兒他遇上一個女孩并與她墜入愛河。女孩對這段感情非常認真，但男人只把它當做逢場作戲。女孩有一個姐姐，她時常與其分享她的感情。然而她并不知道，她的男友與姐姐也在交往。在一次撞見他們上床交歡后，女孩徹底瘋了，決定伺機報復。