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帕特里克·德姆西,泰·奧爾森,吉娜·格申,加布里埃爾·達(dá)文波特,凱倫·克里奇,內(nèi)爾·維拉克,里克·霍夫曼,德里克·麥克加特,凱瑟琳·特羅維爾,杰倫·托馬斯·布魯克斯,米卡·阿蒙森,阿曼達(dá)·巴克,沙琳·格里芬,提姆·狄龍,克里斯·桑迪福德,艾蒂森·蕾,托馬索·薩內(nèi)里,珍娜·沃倫,林恩·格里芬梅根失蹤
安伯·珀金斯,蕾切爾·奎恩,迪恩·維特,Jael Elizabeth Steinmeyer,王仲欣,Brittany Hingle,Carolina Sabate,Trigve Hagen,Rudy Galvan,艾普爾·斯圖瓦特,John K. Frazier,Tammy Klein,Lauren Leah Mitchell,Jon Simonelli,Craig Stoa,尼基·克里斯蒂,安德魯·道布勒殘忍的心
梅羅拉·哈丁,埃迪·杰米森,邦尼·魯特,Alev Aydin,Sean Russel Herman,Dawn Brodey,Marion Kerr,Melanie Starks,Jack Gogreve,Lucie Beeby不過是上班
吳俊霆,李孝謙,安娜,周德華,合文俊,小愛,帕賽,孫天宇,李逗逗,李川,丁冠森,王藝禪,陳思斯深淵未遠(yuǎn)
Jamie Woods,Isabella Mangano,Jacob Pontil-Scala,米利亞娜·坎卡爾,Andy Steuart,Isobel Lauber真正的痛苦
杰西·艾森伯格,基南·卡爾金,福田知盛,詹妮弗·格雷,庫爾特·埃賈萬,麗莎·薩多威,丹尼爾·奧雷斯克斯,埃洛拉·托爾基亞,班納·艾森伯格,彼得·查赫尼?;?雅各布·貢索夫斯基,奧爾哈·博索瓦,克日什托夫·雅什查克,馬雷克·卡斯普日克,雅各布·普魯斯基同類推薦
感染她嘴唇的欲望2025
鵜川もえか,渡邉結(jié)衣,原田英里佳,新嘉喜由芽本片改編自寄田みゆき創(chuàng)作的同名漫畫。伊藤早奈是一個(gè)可愛的女高中生,生活充滿了快樂,但從未體驗(yàn)過戀愛的感覺。因?yàn)檐嚨溩≡旱脑缒?,在醫(yī)院里被一個(gè)非常漂亮的女生吸引了。于是,一段青澀甜蜜的戀愛開始了!
兩架鋼琴
弗朗索瓦·西維爾,娜迪亞·特列什科維奇,夏洛特·蘭普林,伊波利特·吉拉爾多,阿爾芭·貝露琪,Anne Kessler,杰里米·勒溫,Marianne Pommier,Valentin Picard,Laura Caselli,Keith Farquhar,梅蘭妮·古思,帕斯夸萊·當(dāng)卡,Micha?l Ma?no,Rafa?l Reves,雅尼塞·科巴卜,Guillaume Benit,Guillaume Arnoldi,Erwan Vin,Déborah Lamy在多年前的一段經(jīng)歷后回到法國,鋼琴家馬蒂亞斯·福格勒將再次與他的導(dǎo)師埃倫取得聯(lián)系,為一場音樂會(huì)做準(zhǔn)備。在一座公園里,他將邂逅一個(gè)與自己長得一模一樣的孩子,而這個(gè)孩子會(huì)把他引向克洛丁——一位他曾在某個(gè)時(shí)代深愛過的女人。
極度失眠
Maria Mathiesen,斯特蘭·斯卡斯加德,斯威爾·安克·奧斯達(dá),Gisken Armand,克里斯蒂安·菲根斯科1997年,一部來自挪威的驚悚片《失眠者》上映后獲得好評,《芝加哥太陽報(bào)》的著名影評人羅杰,艾伯特給出了3星半的高分,他盛贊該片“不僅僅是一部驚悚片或動(dòng)作片,而是一次心理學(xué)上的探索與學(xué)習(xí)”。兩犯罪調(diào)查者到挪威北方一個(gè)鎮(zhèn)幫助解決一個(gè)年輕的女孩的謀殺案,誰知陷入了巨大的困境之中。
蛛仙
孫藝寧,李硯,高廣澤,潘嚴(yán),劉錫明修行千年的寒魄彩蛛蛛兒受佛祖點(diǎn)化化為人形,化身獵妖人下凡,與甘露、芝草、長風(fēng)攜手除魔衛(wèi)道。蛛兒對甘露情深,卻因人妖殊途陷入痛苦。無虛掌門被妖力反噬企圖奪其修為,蛛兒為救眾人犧牲三千年道行滅魔,最終明白真情所在是芝草。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster