即刻觀影
劇情賞析
編輯推薦
爆水管
彭于晏,艾倫,周游,閆佩倫,楊皓宇,蔣雪鳴,付航,潘斌龍,卜鈺,張琪,黃炎,徐東,楊朕,楊晨汐,周彥辰,劉亦淳,普雷姆·亞達夫,景瓷,艾然一個東南亞小鎮中，卷王警察于大海（彭于晏 飾）起早貪黑，努力工作，讓小鎮連續7年維持0犯罪率。結果因為沒有案子，警察將被全員辭退，“鐵飯碗”成了“塑料碗”，為保住工作，于大海決定和隊友們一起造個大案。與此同時，真正的大案正在發生，前來投奔羅四季（艾倫 飾）的盜墓賊羅浩（周游 飾）、牛大輪（閆佩倫 飾）一家人，盯上了傳說中藏有寶藏的古墓，而這個古墓就在警局之下......
靈異隧道實錄
貝爾·德利亞,Andy Rodoreda,Steve Davis,盧克·阿諾德,戈蘭·D·克魯特,James Caitlin,Ben Maclaine,彼得·麥卡拉姆,Rebecca Clay,Shannon Harvey,Arianna Gusi,Russell Jeffrey,Jessica Fallico,Ben James,Peter Overton,瑞妮·林,丹·伊利克澳大利亞悉尼，新南威爾士正遭受嚴重的干旱，水資源短缺成為亟待解決的問題。為了應對這一情況，政府決定開發一項水資源循環利用的項目，其中包括將位于悉尼城市下方的一段廢棄的鐵路隧道加以利用。圍繞隧道的改造和難民去向，在社會上引起了巨大爭論。雖然沸沸揚揚，但是該廢棄隧道的改造計劃卻戛然而止。與此同時，關于隧道中存在著神秘怪物的傳言也愈演愈烈。 一段Youtube上流傳的視頻引起了女記者娜塔莎·華納（貝爾·戴利亞 Bel Deliá 飾）的注意，她聯系了幾名業內的好友和同事，帶著攝像器材前往隧道中一探究竟，恐怖的旅程就此拉開序幕……
妖星哥拉斯
池部良,白川由美,久保明,水野久美,平田昭彥不明妖星哥拉斯在茫茫宇宙中不斷前進，沿途吸附大量的星際飛行物，不斷的變龐大，日本的觀測宇宙船隼號，為了探明其質量大小，不幸被一起吸附，但是其在最后關頭向地球發出了其質量數據，使地球上的人對其有了個初步認識，后經科學家計算測定，其質量為地球的６１００倍，而且將在４５天后與地球相撞。 為阻止地球與哥拉斯的相撞，科學家想出了一個大膽的辦法，就是運用水素離子裝置在南極造一個噴射基地（類似與火箭發射器），讓地球動起來，在哥拉斯到來之前，使地球移動到其他軌道．等哥拉斯安全通過后，然后在北極在建個基地，使地球在回到原來的預定軌道。 計劃實施的非常順利，全世界各國在國聯的帶領下在南極建立了基地，但是由于在南極建造基地，在火焰發生器的作用下讓長眠在南極的海象怪獸蘇醒了，并破壞了一部份基地，后來，在飛機導彈的攻擊下，怪獸死了，但由于怪獸的破壞，火箭發生器推遲了時間，到底地球能不能脫離哥拉斯的吞噬呢？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
索命舞娘
麥迪·齊格勒,拉娜·康多,艾瑞絲·阿帕托,阿凡提卡·萬達納普,米利森特·西蒙茲,烏瑪·瑟曼,莉迪亞·倫納德,邁克爾·卡爾金,Kate Freund,克里斯蒂安·恰克瓦里,加博爾·納吉帕爾,Julian Krenn,沙哈布·魯巴達,鮑拉日·邁杰里,貝拉·奧爾薩尼,弗朗西斯·麥克伯尼,亞當·邦奇,Miklós Béres,Klára Spilák,Gary Cothenet五個芭蕾舞者去參加比賽，卻遭遇公車墜毀，被困在一家偏遠旅館中，遭遇殺身之禍，必須用自己的舞技逃脫危機。
捆綁上天堂
倪妮,周游,廖凡一個筋疲力盡的女人（倪妮 飾）點燃了一個心如槁木的男人（周游 飾），他們隨欲而愛，開始了一段靈與肉、生與死緊緊捆綁的流亡之旅。 三地輾轉，燃燒著，共入地獄。 四季流轉，愛爽了，再上天堂。