戛納的柔膚
別名:渴望的肉體保羅和夏洛特曾經(jīng)是恩愛的戀人,但死亡的陰影籠罩了夏洛特。在無止境的治療中,他們的關(guān)系開始出現(xiàn)危機(jī),此時(shí)夏洛特性感的表妹又走進(jìn)他們的生活。三個(gè)人之間的欲望交纏、欺騙、懷疑和日益逼近的死亡,構(gòu)成了這部極其純粹的電影。這是導(dǎo)演的處女作,風(fēng)格極度低調(diào),有DV作品的質(zhì)樸而無其粗糙。三個(gè)年輕演員的表演令人印象深刻,尤其是主演勞拉斯美特,她長了一張亞洲人的面孔,把一個(gè)生命和愛情都陷入絕境的少女刻畫得讓人喟嘆。導(dǎo)演以平視的拍攝態(tài)度,冷靜地呈現(xiàn)著身體無法抗拒的力量,不由得讓人想起圣經(jīng)里說過的,;心靈是愿意的,而身體卻軟弱了。一邊是疾病,一邊是情欲,緩慢的節(jié)奏和逼仄的空間讓人在無法適從之際,有些茫然,而影片就在此嘎然而止。
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重返寂靜嶺
杰瑞米·艾文,漢娜·艾米莉·安德森,艾維·坦普爾頓,羅伯特·斯特蘭奇,皮爾斯·伊根,尼科拉·亞歷克西斯,伊芙·麥凱林,朱莉婭·佩拉加蒂,埃米莉·卡丁,瑪?shù)倌取だ聿槠?霍華德·薩德勒,馬迪奧·帕斯奎尼,梅麗莎·格雷厄姆,勞拉·杜魯,卡莉亞·杜魯,斯拉維薩·伊萬諾維奇,阿拉娜·瑪麗亞,塔瑪拉·里斯托斯卡,賈斯珀·沙龍,桑迪·E·斯科特在愛人神秘信件的召喚下,詹姆斯(杰瑞米·艾文 飾)重新回到了充滿著秘密和詭譎的寂靜嶺。但當(dāng)他踏入這座小鎮(zhèn)的那一刻卻開始了無盡極限逃生模式:永不停歇的防空警報(bào)撕裂耳膜,漫天余燼籠罩大地,熟悉的街道扭曲成噬人的迷宮,三角屠夫、無臉血腥護(hù)士、未知詭異生物無處不在,步步緊逼。現(xiàn)實(shí)與幻象在寂靜嶺徹底崩塌,詹姆斯一邊躲避致命追殺,一邊試圖用破碎的記憶拼湊出真相。
宇宙怪獸加美拉
マッハ文朱,小島八重子地球征服をたくらむ宇宙海賊?ザノンが次々と送り込む怪獣を、平和星M38から派遣された3人の宇宙人が、ガメラを呼んで撃退する。“ガメラ“シリーズ全7作から、ガメラと怪獣たちの戦闘シーンをピック?アップしたアンソロジー。
惡鬼病毒
村重杏奈,太田將熙,桑山隆太,華村飛鳥,吉田伶香,角由紀(jì)子,鳥之海凪紗,田中要次改編自二宮敦人的超人氣恐怖小說《惡鬼病毒》,講述YouTuber內(nèi)川智樹帶著他的朋友日名子、颯太和奈々枝來到傳聞中有著神秘失蹤事件的舊石尾村拍攝一段調(diào)查都市傳說的視頻。幾天后,警方在村外的一條隧道附近發(fā)現(xiàn)了四人租用的汽車,而在現(xiàn)場(chǎng)發(fā)現(xiàn)的一臺(tái)攝像機(jī)則記錄下了令人震驚的畫面。緊鎖的房屋、身著武裝制服的兒童、被關(guān)起來的成年人,以及在新月之夜發(fā)病的成年人......這個(gè)村子里究竟發(fā)生了什么?
會(huì)長的貼身?;?/h3>馮芷墨,熊蘇藝
單均銘為了保護(hù)母親一手創(chuàng)辦的成人皇家藝術(shù)學(xué)院不被拆遷建成商業(yè)街,收購了學(xué)校。準(zhǔn)備對(duì)學(xué)校進(jìn)行維護(hù)加建,卻遭到了誤以為他要拆學(xué)校的顧婉婉的強(qiáng)烈阻攔。單均銘為了不讓顧婉婉影響他對(duì)學(xué)校的改造進(jìn)度,強(qiáng)行將顧婉婉留在身邊,讓她沒時(shí)間搗亂。 兩人卻在相處的過程中互相吸引,單均銘發(fā)現(xiàn)自己愛上了顧婉婉,準(zhǔn)備向顧婉婉告白。 告白前夕,單均銘意外發(fā)現(xiàn)了顧婉婉就是五年前那個(gè)戲弄了他的感情,還間接害他聽力受損,不得不放棄學(xué)習(xí)音樂的人。單均銘決定報(bào)復(fù)顧婉婉。 直到顧婉婉傷心離開,單均銘才發(fā)現(xiàn)不管是五年前還是五年后,一切的事情,都是莊美言的設(shè)計(jì),他誤會(huì)了顧婉婉。單均銘恍然大悟,最終找回了顧婉婉。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
醉刀客
李炳淵,孫藝燃,趙靖舒玉,藍(lán)曼予,來喜,龍武,閆青龍,喻慶輝,李長虹,劉杰,王藝圍,郭宜林,姚紅剛,彭秋生,馮玉璽,楊爭(zhēng),黃本冰,席瑞東,彭羿言,李瀚辰影片講述威震江湖的“冷血刀客”寒月刃(李炳淵 飾),因一飯之恩重返枹罕鎮(zhèn),而此時(shí)的枹罕鎮(zhèn)正遭受強(qiáng)權(quán)惡霸的欺凌壓迫,寒月刃決定出手相助,卻驚覺人性中的軟弱與恐懼遠(yuǎn)比暴力更加可怕?! 《c曼陀羅(孫藝燃 飾)的糾纏如毒刃絞心,在心動(dòng)與背叛間撕裂掙扎……