發情期繼妹

? 4.8 播放：08萬 2026-04-27
主演：??? ?? 

高志的同父異母姐姐來到了高志的房間，后者沒有敲門就自慰。 他在一個尷尬的腹股溝里盯著Takashi的腹股溝，大叫他的好東西，但是由于沒有人在屋子里，她今晚很想和她睡覺，所以Takashi的東西今天膨脹了。

在線觀看

? 播放 發情期繼妹

劇情提要

高志的同父異母姐姐來到了高志的房間，后者沒有敲門就自慰。 他在一個尷尬的腹股溝里盯著Takashi的腹股溝，大叫他的好東西，但是由于沒有人在屋子里，她今晚很想和她睡覺，所以Takashi的東西今天膨脹了。

幕后花絮

連環扣

　　A hit and run of an 18 year old girl becomes the hub of a wheel that sets into motion many a spoke - a journalist , a raging mother, a cop and a system all caught in an ethical dilemma. Questions raised only to realise that truth is rarely pure and never simple.

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster