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荒村怪談
李文豪,楊雅涵,張萌萌,鐘云鵬,賀穎怡,沈竹,王文采,蘇禹銘,李朋霏,劉君豪我是自愿讓他殺了我
蔡淑臻,鄭人碩,薛仕凌,余晉,尹昭德,趙逸嵐,阮柏皓,蔡承邑不露聲色
羅素·克勞,埃爾莎·帕塔奇,利亞姆·海姆斯沃斯,杰奎琳·麥根斯,羅伯特·菲茨杰拉德·迪格斯,馬特·納夫萊,K·卡蘭,林恩·吉爾馬丁,丹尼爾·麥克弗森,斯蒂夫·巴什托尼,本尼迪克·哈迪,Dan Matteucci,莫莉·格雷斯,Paul Tassone,Jemima Quinn,扎克·格里奇把家虎
康琳浠,袁家駿,答有為,張原榮,王藝歡,趙鵬,王旭,梁棟,張婷,曹皓程,郭炫辰,杜俊峰,李凱武,蔣鎮澤,蔣鎮陽,岳建剛,楊恩全亨利·休格的神奇故事
本尼迪克特·康伯巴奇,拉爾夫·費因斯,本·金斯利,戴夫·帕特爾,理查德·艾歐阿德蔗噬
喬茜·朱麗葉特·沃特,Kellan Jackson,Lacey Katena,Michael Mau,邦妮·布魯爾,Zach Ball,Ashley Nicole Blake,Haley Johnson,妮可·凱茨,Cullen Lovelock,Kevin J. Stone,Clarence Garner,貝內特·韋爾奇,Will Landis,Cate Whitlatch同類推薦
真正的痛苦
杰西·艾森伯格,基南·卡爾金,福田知盛,詹妮弗·格雷,庫爾特·埃賈萬,麗莎·薩多威,丹尼爾·奧雷斯克斯,埃洛拉·托爾基亞,班納·艾森伯格,彼得·查赫尼埃基,雅各布·貢索夫斯基,奧爾哈·博索瓦,克日什托夫·雅什查克,馬雷克·卡斯普日克,雅各布·普魯斯基為紀念逝世的奶奶,許久未見的堂兄弟大衛與班吉相約前往波蘭參加導覽團,也順道探訪奶奶的老家。一路上,班吉有話直說、率性風趣的性格迅速與同團人士拉近距離,令木訥拘謹的大衛既焦慮又羨慕,壓抑已久的情緒日益沸騰。然而,隨著旅途種種安排不斷挑動班吉的敏感神經,他的狂放不羈似乎逐漸走向失序,大衛試圖息事寧人,但內心的不安卻席卷而來。這趟尋根之旅,能否解決彼此心底難以言說的痛楚?
湯姆·賽格拉:好為人師
湯姆·賽格拉Tom Segura Fast-Tracking Fifth Original Netflix Special ‘Teacher’ For December Premiere
我是自愿讓他殺了我
蔡淑臻,鄭人碩,薛仕凌,余晉,尹昭德,趙逸嵐,阮柏皓,蔡承邑刑警周行跟女友陳凱欣求婚前夕,臨時接獲一起兇殺案通報,他循線趕到山區,當場逮捕殺人犯李子建,發現死者居然是他的女友。周行強忍震驚與悲痛,一路追查真相,犯人貴為議長獨子,在議長袒護下試圖翻案,更自白對方是自願被殺。更讓周行意外的是,來認女友屍體的是一群陌生家屬,她的真實身份另有其人,案情陷入膠著,女友留下的重重謎團,讓往日深情的一切瞬間被摧毀。 七十六號原子繼犯罪影集《追兇500 天》後,再度推出女性心理驚悚懸疑作品,由鄭人碩、蔡淑臻、薛仕凌等主演,改編自知名小說家逢時同名原著,非典型的「幫助殺人」概念相當吸睛,挑戰複雜跳接的時序劇情,翻轉犯罪線索的邏輯,燒腦程度直逼《緝魂》。
陰山禁地
戴向宇,杜奕衡,朱凌霧,張舜迦,李偉龍,于寶坤,安巴,李易衡影片講述了上世紀80年代發丘傳人賈凡(戴向宇 飾)利用祖傳秘術智斗摸金校尉吳老大(杜奕衡 飾)守護發丘老祖之墓的熱血故事,表現了邪不壓正的主題思想。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster