愛神
《緣滿情人節(jié)》 艾莉絲姬迪娜 Alexis Kendra 脫衣舞孃 分手神傷 精神恍惚 只剩肉體 一生所愛被人佔(zhàn)有 妒嫉心完全爆發(fā) 究竟這是妄想 還是真實(shí)? 除了不讓別人得到你 要讓更多的人嚐過我 愈墮落 真的愈快樂? 心神恍惚的脫衣舞女郎,因被男友甩了,跌落悲痛的旋渦。百仁是維納斯的一生所愛,單是幻想他和別的女人發(fā)生關(guān)係,就讓她墮進(jìn)性瘋狂的深淵,永不超生。同為編劇的艾莉絲姬迪娜,於這情色驚悚片中飾演維納斯。電影性感得讓人熱血沸騰又觸目驚心,尤如拜仁狄帕瑪 和波蘭斯基非常風(fēng)格化的作品。
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主謀
喬什·奧康納,阿拉娜·哈伊姆,蓋比·霍夫曼,約翰·馬加羅,比爾·坎普,霍普·戴維斯,萊齊·費(fèi)利茲,馬修·馬希爾,科爾·杜曼,瑪戈特·安德森-宋,伊萊·蓋布,胡安·卡洛斯·赫爾南德斯,讓·扎爾祖爾,瑞安·霍姆奇克,威爾遜·康克賴特,凱蒂·哈伯德,史蒂文·特里·沃克,D·J·斯特勞德,格雷格·維奧蘭德,安吉爾·科恩斯在天眼尚未密布,監(jiān)場(chǎng)保安仍會(huì)打瞌睡的二十世紀(jì)七十年代,名畫大盜就是會(huì)光天化日,大剌剌走進(jìn)美術(shù)館,直接把獵物從墻上取下放入布袋運(yùn)走??此苾簯虻囊磺校澈笾髦\還要是住在市郊、人畜無害的住家男人。凱莉·萊卡特完全棄用好萊塢盜寶片敘事公式,改以其擅長的左翼簡約主義鏡頭,捕捉觸犯藝術(shù)罪行者的日常生活、雙面人的言行處境,以及事件周遭人情冷暖。阿瑟多夫的抽象畫作未必是一個(gè)借口,但到頭來凸顯存在荒謬的公路逃亡,儼然為觀眾添加了不少欣賞和思考的層次。
捍衛(wèi)機(jī)密
基努·里維斯,迪娜·邁耶,北野武公元2021年,資料除了透過電腦輸送外,還可利用人腦運(yùn)輸。專業(yè)運(yùn)輸員尊尼為了運(yùn)送更多資料,不惜洗去自己的記憶。一次任務(wù)中,尊尼被客戶輸入過量資料,若他不在二十小時(shí)內(nèi)找到輸出密碼,他便會(huì)倒斃。另一方面,日本集團(tuán)為了奪取他腦內(nèi)的資料,也對(duì)他展開一場(chǎng)大追殺。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
銀行搶劫案
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