蝴蝶君

★ 5.8 播放：10萬 更新：2026-04-24

1964年，法國駐華大使館會計高仁尼（杰瑞米·艾恩斯）在觀看歌劇時，被舞臺上的蝴蝶夫人迷住了。戲畢，他主動向蝴蝶夫人的扮演者、京劇演員宋麗玲示好。一次次的接觸，使兩顆孤獨的心相愛了。然而好景不長，文化大革命爆發，宋麗玲音信全無。1968年，宋麗玲來到法國，與高仁尼重聚。多年后，當高仁尼因間諜身份被指控時，站在證人席上的，是西裝革履的宋麗玲。指男為女的高仁尼成為了全法國的笑柄。這兩個男人將如何面對對方，如何面對他們的愛情

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劇情簡介

1964年，法國駐華大使館會計高仁尼（杰瑞米·艾恩斯）在觀看歌劇時，被舞臺上的蝴蝶夫人迷住了。戲畢，他主動向蝴蝶夫人的扮演者、京劇演員宋麗玲示好。一次次的接觸，使兩顆孤獨的心相愛了。然而好景不長，文化大革命爆發，宋麗玲音信全無。1968年，宋麗玲來到法國，與高仁尼重聚。多年后，當高仁尼因間諜身份被指控時，站在證人席上的，是西裝革履的宋麗玲。指男為女的高仁尼成為了全法國的笑柄。這兩個男人將如何面對對方，如何面對他們的愛情

導演精選

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

異塵余生：尸鬼圣誕節

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愛情坐標

探索現代浪漫的起起落落。