濕地

? 7.8 播放：02萬(wàn) 2026-04-24

海倫（卡拉朱里 Carla Juri 飾）是一位十八歲的妙齡少女，她本性桀驁不馴，又十分叛逆，喜歡特立獨(dú)行的生活方式，向往自由的人生哲學(xué)。某日，她突發(fā)奇想決定刮g毛，結(jié)果受了傷，導(dǎo)致痔瘡大出血，不得不住進(jìn)了醫(yī)院。規(guī)矩多多的住院生活對(duì)于海倫來(lái)說(shuō)簡(jiǎn)直就如同坐牢，好在這里有一位名叫羅賓（Christoph Letkowski 飾）的男護(hù)士，羅賓個(gè)性溫文爾雅又彬彬有禮，深得海倫的喜愛，然而，羅賓的內(nèi)心早已經(jīng)被一位漂亮的女護(hù)士所占據(jù)，當(dāng)然，奔放的海倫可管不了這么多，她使出了渾身解數(shù)，想要勾引羅賓。在海倫的內(nèi)心里一直隱藏著一個(gè)和她叛逆外表并不相稱的愿望，那就是希望離婚的父親和母親破鏡重圓。 　　

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劇情提要

海倫（卡拉朱里 Carla Juri 飾）是一位十八歲的妙齡少女，她本性桀驁不馴，又十分叛逆，喜歡特立獨(dú)行的生活方式，向往自由的人生哲學(xué)。某日，她突發(fā)奇想決定刮g毛，結(jié)果受了傷，導(dǎo)致痔瘡大出血，不得不住進(jìn)了醫(yī)院。規(guī)矩多多的住院生活對(duì)于海倫來(lái)說(shuō)簡(jiǎn)直就如同坐牢，好在這里有一位名叫羅賓（Christoph Letkowski 飾）的男護(hù)士，羅賓個(gè)性溫文爾雅又彬彬有禮，深得海倫的喜愛，然而，羅賓的內(nèi)心早已經(jīng)被一位漂亮的女護(hù)士所占據(jù)，當(dāng)然，奔放的海倫可管不了這么多，她使出了渾身解數(shù)，想要勾引羅賓。在海倫的內(nèi)心里一直隱藏著一個(gè)和她叛逆外表并不相稱的愿望，那就是希望離婚的父親和母親破鏡重圓。 　　

幕后花絮

韓塞爾與葛雷特

　　因母親染病，青年李恩洙（千正明 飾）驅(qū)車向家中趕去，但中途遭遇車禍，翻到路邊。當(dāng)他從昏迷中醒來(lái)時(shí)，發(fā)現(xiàn)眼前站著一個(gè)有如天使般的女孩子（沈恩京 飾）。在這個(gè)名叫英姬的女孩的引導(dǎo)下，恩洙隨之來(lái)到了女孩位于密林深處的家。那是一幢宛如從童話書中出來(lái)的夢(mèng)幻而華美的大房子，家中擺放著各種各樣精巧可愛的飾品。這里住著英姬、她的父母、哥哥萬(wàn)福（殷元宰 飾）以及妹妹貞順（陳智熙 飾）。疲勞疼痛的恩洙起初并未察覺絲毫一樣，可是他很快便發(fā)現(xiàn)，如此美好的童話所在竟成為永遠(yuǎn)無(wú)法逃離的樊籬……　　本片榮獲2009年葡萄牙奇幻國(guó)際電影節(jié)評(píng)委會(huì)特別獎(jiǎng)。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster