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空氣之魂,云之精靈
Michael Lake,Melissa Davis,Norman Boyd,Rhys Davis車庫驚魂
韋斯·本特利,瑞秋·尼科爾斯,西蒙·雷諾茲,菲利普·阿金,史蒂芬·穆爾,米蘭達·愛德華茲,李善亨,格蕾絲·林恩·孔,芭絲謝芭·加內特,Philip Williams,阿諾德·平諾克,弗蘭克·卡方蒼蠅之母
約翰·亞當斯,露露·亞當斯,澤爾達·亞當斯,托碧·波塞爾末世廚房
凱恩·羅賓森,小霍普·伊克波庫,亨利·勞福,魯本·奈雅馬,后路咭,克里斯塔爾,阿倫·阿薩德,拉薩克·庫科伊,埃華特·詹姆斯·沃爾特斯,萊斯利-安妮·米勒,戴米·拉迪波,杰戴亞·班納曼,菲奧娜·馬爾,伊恩·賴特,阿拉貝拉·麥克穆雷,布萊德利·WJ·米勒,泰賈·卡布斯,雷娜·查基爾,泰亞爾尼·費倫-斯賓塞,奧利維婭-羅絲·科利亞德Y計劃
韓韶禧,全鐘瑞,金新綠,鄭英珠,金圣喆,李在均,柳始我馬爾切洛·埃爾南德斯:美國男孩
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最佳拍檔3:女皇密令
許冠杰,麥嘉,張艾嘉,許冠英,曹達華黑貓(許冠杰 飾)身手敏捷,小有名氣。一次,他在巴黎時忽然遭到不明身份的女殺手襲擊,當他和對手一路打斗來到鐵塔時,伏擊在此的大鋼牙和剛帽突然出擊。措手不及的黑貓眼看性命不保,縱身跳下了塞納河。 當黑貓醒來的時候,一名自稱占士邦的應該特工人員告訴他這是女皇對他的考驗,現在他已通過考驗,可以正式接受女皇的密令。信以為真的黑貓欣然應允,返港為女皇盜竊一枚極為貴重的寶石。當黑貓費盡九牛二虎之力完成任務后,發現事實并非如此。
瘋狂天才
史賓塞·洛克,泰米娜·森尼,法蘭·塔希爾,斯科特·麥克洛維茨,麗維·陳,克里斯·梅森,格本加·阿金納格貝,brandon scott,klement tinaj,derek s. orr,nicole fahelA young mad genius attempts to 'hack the human mind' in order to fix humanity.
春苗
李秀明,高寶成,達式常,林彬,白穆,于飛,李保羅,趙抒音,于元奇故事發生在文革前夕的1965年。婦女隊長春苗(李秀明 飾)看不慣醫療衛生大權把持在有資產階級思想意識的人手中,她主動請纓到公社衛生院學習,以期學成回村為貧下中農服務。她不顧院長杜文杰(白穆 飾)和醫生錢濟仁(馮奇 飾)的刁難排擠,在方明(達式常 飾)的幫助下,她刻苦鉆研專業知識,但杜與錢的所做所為還是讓她憤然離開了醫院。春苗回村后,在黨支部的支持下,她在村里的衛生室做了一名赤腳醫生。1966年,文革開始后,杜文杰出于不可告人的目的,在公社辦起赤腳醫生培訓班,春苗和其它村的赤腳醫生揭穿了杜文杰的陰謀,杜腦羞成怒,暗中下毒謀害水昌伯(高寶成 飾),并嫁禍春苗,春苗識破了杜的詭計......
遠山淡影2025
廣瀨鈴,二階堂富美,吉田羊,卡米拉·愛子,松下洸平,三浦友和,柴田理惠,渡邊大知,鈴木碧櫻1982年,英國。一位年輕有抱負的日英混血作家準備書寫其母親——1952年,英國。戰后移英的日本婦人悅子,因長女自殺而憶起在長崎的最后一段時光。悅子與婦人幸子相遇,幸子也準備和女兒出國,對新生活翹首以待。然而,作家在拼湊線索及母親的記憶碎片時,漸漸發現母親的記憶與現實相左.…..石川慶改編諾貝爾文學獎得主石黑一雄早年同名原著,雙線刻劃戰后女性掙扎求存之境,表面平靜實質波瀾不休,折射出大時代下壓抑而沉重的集體記憶與痛苦。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster