感官吸引力

★ 5.8 播放:39萬 更新:2026-04-22

一部充滿挑逗和感官刺激的情欲恐怖片。湯姆和克麗爾是兩個一起研究的醫生博士,湯姆英俊,事業成功,并且已經結婚,有一個愛他的妻子,克麗爾美麗,成功,但是獨身,壓抑著性的欲望,湯姆的活力和聰穎另她著迷,克麗...   

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一部充滿挑逗和感官刺激的情欲恐怖片。湯姆和克麗爾是兩個一起研究的醫生博士,湯姆英俊,事業成功,并且已經結婚,有一個愛他的妻子,克麗爾美麗,成功,但是獨身,壓抑著性的欲望,湯姆的活力和聰穎另她著迷,克麗...   

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  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

第18朵玫瑰

活力少女夢想著一場完美的成人禮,于是與孤獨的新來者達成一項協議,但意外的心動和真相也許會讓計劃徹底泡湯。

誤色

  現在是2003年,國際武器核查員泰德·凱勒(馬修·吉利亞姆)在美國入侵伊始就在伊拉克工作。在調查一個未被發現的武器藏匿處時,他發現了一個可疑來源的生物制劑,他很快意識到這種生物制劑已經危及他的生命。撞倒在地,他危險的軌跡與美麗的國會援助伊蓮娜·波佩斯庫(拉維尼婭·波波拉切)相撞,后者發現自己被自己的危險包圍著。他們聯合起來,被迫質疑一切,同時努力比那些希望他們沉默的人領先一步。