劇情縱覽
說家Jean在完成一部作品后重回社稷圈,在一個上流社會的聚會中見到他從前的朋友Claire,他對Claire并沒有興趣卻被她身邊的暫無內容Anne所吸引。Claire卻解釋道Anne是屬于她的,并邀請Jean在聚會后一起喝酒。Jean很快意識到她倆之間不尋常的關系,Claire把暫無內容Anne當成了性奴,而Anne似乎很享受這種。
說家Jean在完成一部作品后重回社稷圈,在一個上流社會的聚會中見到他從前的朋友Claire,他對Claire并沒有興趣卻被她身邊的暫無內容Anne所吸引。Claire卻解釋道Anne是屬于她的,并邀請Jean在聚會后一起喝酒。Jean很快意識到她倆之間不尋常的關系,Claire把暫無內容Anne當成了性奴,而Anne似乎很享受這種。
一名19歲的罪犯湯米(Tommy)被一對功能失調的夫婦克里斯(Chris)和凱瑟琳(Kathryn)綁架,并被迫接受他們的“改造計劃”,試圖將他塑造成一個“好男孩”。湯米必須設法逃脫。
That day is seared into the memory of every human being on the planet: the day the world changed. First came the attack on the Philippines. Within days they spread, as though appearing out of nowhere, striking out at more islands, forging a foothold in the South Pacific. Then came the first attack on U.S. soil - Los Angeles - and the reality became clear: our world was at war once again, but this time with an enemy from beyond our galaxy. Now, months later, the fate of the world hangs in the balance as a mission to strike at a key enemy installation deep in enemy territory goes terribly wrong, and the Marines of the 15th Expeditionary Unit are scattered across the island of New Britain, leaderless, and facing impossible odds. Pacific Theater is the story of those Marines: fresh recruits who journey from their homes across the Pacific to the front lines. It is the story of John Blake, a charming Californian surfer who must find the strength to become a leader, Tracey Gleeson, a physics...
一對理想主義的年輕夫婦獲得了一個逼真得令人驚嘆的機器人,機器人的幫助使他們無憂無慮,但隨著他們日漸親近,他們對人性的感知將會改變。
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.