在女兒青蘭頻繁發(fā)作邪病、不斷重復(fù)詭異兒歌的困擾下，風(fēng)水師豪哥(曹衛(wèi)宇 飾)與碼頭工人阿坤、記者大偉一同踏上了前往青石鎮(zhèn)的探險之旅。在這個風(fēng)水布局精巧、卻氣氛詭異的小鎮(zhèn)上，他們不僅發(fā)現(xiàn)了青蘭的姐姐紅蓮的命運，還揭開了鎮(zhèn)上隱藏的驚天秘密。

 公元1126年，北宋靖康元年。漠北女真人以4萬鐵騎入侵中原。由于太上皇宋徽宗的昏聵以及軍備疏散，金兵長驅(qū)直入，如入無人之境。一路燒殺搶掠，直攻到東京汴梁。城破之日，金兵虜徽、欽二帝，是為靖康之恥。此后欽宗之弟趙高繼位，是為高宗。一代英雄岳飛護佑高宗，被困牛頭山。為迫岳飛投降，金將兀術(shù)派二太子金彈子（張成忠 飾）、三公主銀鈴子（張希玲 飾）和張兆奴（張躍寧 飾）前去偷襲岳家莊，欲虜岳母以作要挾。岳飛之子岳云（尋峰 飾）自幼喜好舞槍弄棒，一雙銀錘使得風(fēng)生水起。他聞聽父親被困牛頭山，計劃偷偷前往助陣，卻被幾個兄弟掣肘。牛皋之子牛通（劉衛(wèi)民 飾）偶然遇見偽裝后的金彈子等人，無意中得知偷襲計劃，于是連忙趕往岳家莊報信。得知消息的岳家小將們整飭裝備，等待即將到來的一場大戰(zhàn)……

　　朱淇（劉心悠 飾）一直以來都希望成為一名演員，然而，在娛樂圈摸爬滾打浸淫多年，始終缺少一點運氣的她卻依然只能在劇中混得一個跑龍?zhí)椎男〗巧Ｒ淮闻既恢校娪肮镜拇罄习褰芊颍值滦?飾）看中了朱淇，欽點她做一部炒得十分紅火的賀歲片的女主角，朱淇興奮之余害怕自己已婚的身份會影響星途，于是決定隱瞞這一事實。　　朱淇的丈夫賴毛（周柏豪 飾）是一名娛樂記者，為了老婆的前途著想，他只能不情不愿的配合著朱淇的腳步。然而，隨著朱淇的走紅，賴毛發(fā)現(xiàn)自己和老婆之間的距離越來越遠，不禁心生疑慮，潛伏劇組之后方才發(fā)現(xiàn)朱淇和杰夫之間竟然有著撲朔不明的曖昧關(guān)系。

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster