這部新片名為《夢鄉(xiāng)》（Dreamland），由曾在圣丹斯電影節(jié)摘得評(píng)審團(tuán)特別獎(jiǎng)的導(dǎo)演Miles Joris-Peyrafitte執(zhí)導(dǎo)。故事背景設(shè)定在20世紀(jì)30年代的美國，經(jīng)濟(jì)蕭條和沙塵暴肆虐著美國的普通百姓，一個(gè)15歲的男孩為了高額的賞金開始漫漫追捕路，他的目標(biāo)正是瑪歌特·羅比飾演的女劫匪。

　　朱莉在巴黎一家豪華酒店打工，工作非常辛苦，還要努力照顧在鄉(xiāng)下的兩個(gè)孩子。后來，她得到了一個(gè)期待已久的工作面試機(jī)會(huì)，但一場全國性的罷工爆發(fā)了，導(dǎo)致公共交通系統(tǒng)陷入癱瘓。一直以來，朱莉努力在生活中維系著一種平衡，而這種脆弱的平衡被突發(fā)事件所打破。為了得償所愿，她冒著隨時(shí)都會(huì)碰壁乃至失去一切的風(fēng)險(xiǎn)，開始了一場與時(shí)間的瘋狂賽跑。

　　Beginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.

　　Six people bound together by a traumatic experience decide to round off a year of group therapy in style. They join each other once more, traveling up to the Scottish Lowlands for a reunion weekend in a 1970s holiday let. Soon a number of mysterious and horrifying events start to expose the cracks in their relationships, and one by one they discover that trust runs but skin-deep. A night of closure turns out to be far more final than they could have anticipated.