替天行道之殺兄

★ 3.4 播放：61萬 更新：2026-04-22

主角黃冠滔（吳岱融）和兄長黃冠華（何家駒）均是養子，華xing格殘暴，終日犯案且染毒癮，故經常入獄。祂更時常將滔毒打，一次更打傷其要害，自此滔便有了一個陰影。本來滔與一青梅竹馬之女友Jerry（鐘淑慧）感情甚佳，惜自從滔被打傷后，心理上懷疑自己不能人道，故常躲避和Jerry親熱，更藉故與她分手。每次當華甫出獄，便是噩夢的開始。華好du及吸毒的惡習一直不改，并欠丅du債累累，迫于無奈惟有詐取母親的金錢，惜被拆穿。滔盛怒丅，與華大打出手，華竟以母之xing命作要協，隨后更逃之夭夭。家中各人為躲避華，曾一度遷居，惜噩夢一直連續某次Jerry險被華強迫，幸被滔及時制服。當夜，華在醉意丅向母索取金錢召妓被拒，聲言要殺全家。華的惡行不斷在滔的腦海中盤旋，滔終于忍無可忍，故趁華酒醉熟睡后，提刀殺之。畢竟滔是自衛殺人？還是蓄意謀殺？經過一番激辯后，滔終判無罪釋放，成眾人議論話題。滔亦與Jerry再度一起，完全除去心理上的魔障。 　　

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劇情簡介

主角黃冠滔（吳岱融）和兄長黃冠華（何家駒）均是養子，華xing格殘暴，終日犯案且染毒癮，故經常入獄。祂更時常將滔毒打，一次更打傷其要害，自此滔便有了一個陰影。本來滔與一青梅竹馬之女友Jerry（鐘淑慧）感情甚佳，惜自從滔被打傷后，心理上懷疑自己不能人道，故常躲避和Jerry親熱，更藉故與她分手。每次當華甫出獄，便是噩夢的開始。華好du及吸毒的惡習一直不改，并欠丅du債累累，迫于無奈惟有詐取母親的金錢，惜被拆穿。滔盛怒丅，與華大打出手，華竟以母之xing命作要協，隨后更逃之夭夭。家中各人為躲避華，曾一度遷居，惜噩夢一直連續某次Jerry險被華強迫，幸被滔及時制服。當夜，華在醉意丅向母索取金錢召妓被拒，聲言要殺全家。華的惡行不斷在滔的腦海中盤旋，滔終于忍無可忍，故趁華酒醉熟睡后，提刀殺之。畢竟滔是自衛殺人？還是蓄意謀殺？經過一番激辯后，滔終判無罪釋放，成眾人議論話題。滔亦與Jerry再度一起，完全除去心理上的魔障。 　　

導演精選

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

全職

　　朱莉在巴黎一家豪華酒店打工，工作非常辛苦，還要努力照顧在鄉下的兩個孩子。后來，她得到了一個期待已久的工作面試機會，但一場全國性的罷工爆發了，導致公共交通系統陷入癱瘓。一直以來，朱莉努力在生活中維系著一種平衡，而這種脆弱的平衡被突發事件所打破。為了得償所愿，她冒著隨時都會碰壁乃至失去一切的風險，開始了一場與時間的瘋狂賽跑。

安身何處

　　Joseph Fulton, a well-regarded fifty-eight-year-old director of romantic comedies, wants to become assistant groundskeeper at a local cemetery. He wants to work outdoors and be close to nature. Meanwhile, he thinks it’s important to have his last will and testament drawn up. But his highly dramatic actress girlfriend thinks he must be dying and that he is just too brave to tell anyone. The rumor spreads and soon everyone he knows—and some he doesn’t—are crowded into his small apartment to say their last farewells.