42歲
Follows暫無內容41-year-old暫無內容Christine暫無內容on暫無內容her暫無內容quest暫無內容for暫無內容happiness.暫無內容Together暫無內容with暫無內容her暫無內容husband暫無內容and暫無內容her暫無內容teenage暫無內容daughter,暫無內容she暫無內容goes暫無內容on暫無內容holiday暫無內容on暫無內容the暫無內容beautiful暫無內容island暫無內容of暫無內容Ischia.暫無內容There暫無內容she暫無內容finds暫無內容herself暫無內容having暫無內容an暫無內容identity暫無內容crisis暫無內容due暫無內容to暫無內容the暫無內容arrival暫無內容of暫無內容the暫無內容long暫無內容lost暫無內容love暫無內容of暫無內容her暫無內容youth暫無內容and暫無內容her暫無內容lover暫無內容and暫無內容his暫無內容wife.
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劇情提要
Follows暫無內容41-year-old暫無內容Christine暫無內容on暫無內容her暫無內容quest暫無內容for暫無內容happiness.暫無內容Together暫無內容with暫無內容her暫無內容husband暫無內容and暫無內容her暫無內容teenage暫無內容daughter,暫無內容she暫無內容goes暫無內容on暫無內容holiday暫無內容on暫無內容the暫無內容beautiful暫無內容island暫無內容of暫無內容Ischia.暫無內容There暫無內容she暫無內容finds暫無內容herself暫無內容having暫無內容an暫無內容identity暫無內容crisis暫無內容due暫無內容to暫無內容the暫無內容arrival暫無內容of暫無內容the暫無內容long暫無內容lost暫無內容love暫無內容of暫無內容her暫無內容youth暫無內容and暫無內容her暫無內容lover暫無內容and暫無內容his暫無內容wife.
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妥瑞氏與我
羅伯特·阿拉馬約,彼得·穆蘭,瑪克辛·皮克,雪莉·亨德森,斯科特·埃利斯·沃特森,保羅·唐奈利,Douglas Rankine,Adam McNamara,Chris Dixon,大衛·卡萊爾,史蒂芬·克里,Anthony Capaldi,Andrea Bisset,Francesco Piacentini-Smith,Gordon Peaston,Christina Modestou,Isla Mercer,Andrew McPhail,Malcolm McFadyen,Catriona McArthu貪種滋生
Andrew Boszhardt,艾德里安·恩斯科,切爾西·吉利根,Madison Lewis化劫
黃冠智,雷嘉汭,劉子銓,曾莞婷,黃騰浩,柯叔元,于子育,席惟倫雙龍吐珠
吳耀漢,岑建勛,葉德嫻,羅美薇,午馬獸性
歐萊雅·阿瑪拉,Damien Rebattel,Vivien Rodriguez,Claude Chaballier,Elies-Morgan Admi-Bensellam,Pierre Roux,Marinette Rafai,Renaud Vinuesa,Benjamin Cuillé,Philip Chabanon,Cendrine Lapuyade,Vincent Ribera,Bruno Séguier,Jacques Valentin特殊檢測
懷舊者
朗貝爾·維爾森,薩繆爾·喬斯林,Scott Hinds同系列推薦
第六日
阿諾·施瓦辛格,邁克爾·拉帕波特,托尼·戈德溫,邁克爾·魯克,莎拉·溫特,羅伯特·杜瓦爾超渡
王欣,陳立謙,張嘉殷,李子昭角頭:斗陣欸
高捷,蔡振南,太保,喜翔,龍天翔,王識賢,夏靖庭,孫鵬,黃騰浩,張懷秋,黃尚禾,鄭人碩,張再興,唐振剛,吳震亞,黃冠智,林真亦,陳萬號,白吉勝,李銘忠,崔浩然,黃鐙輝,吳念軒,是元介,瑞瑪·席丹,王陽明,陸明君,曾珮瑜,荒山亮,林道禹,隆宸翰,邱永騰,游安順,伊正,王自強,孫國豪,草爺平原上的夏洛克
徐朝英,張占義,宿樹合仿生人妻子
喬納森·萊斯·梅耶斯,埃萊娜·康博里斯,多隆·貝爾,阿加·達什,Alix Villaret,Fletcher Donovan,莎拉·桑帕約,Rachelle Goulding,凱特琳·史崔克,C.J. Perry誤殺2019
肖央,譚卓,陳沖,姜皓文,秦沛,邊天揚,許文姍,張熙然,施名帥,黃健瑋,陳志朋,葉瀏,谷洋,張林幕后花絮
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
河貍變身計劃
少女梅寶(佩珀·柯達 Piper Curda 配音)偶然借助突破性技術,讓自身意識“跳脫”身體,進入機械動物體內,“變身”為一只活潑靈動的河貍,從而得以潛入動物社群內部,更以“人類思維闖入動物本能”的獨特視角,揭開一場充滿意外與溫情的野外探險。