即刻觀影
劇情賞析
編輯推薦
小意大利
艾瑪·羅伯茨,海登·克里斯滕森,艾莉莎·米蘭諾,丹尼·愛(ài)羅,安德列·馬丁,簡(jiǎn)·西摩,蓋里·巴薩拉巴,亞當(dāng)·費(fèi)拉拉,琳達(dá)·卡辛,克里斯蒂娜·羅塞托Voltage Pictures拿下艾瑪·羅伯茨、海登·克里斯滕森主演的浪漫愛(ài)情片[小意大利](Little Italy，暫譯)的國(guó)際銷售權(quán)。該片由唐納德·佩特瑞([倒霉愛(ài)神])執(zhí)導(dǎo)，故事類似現(xiàn)代版羅密歐與朱麗葉，講述一名見(jiàn)習(xí)廚師同一位餐廳老板墜入愛(ài)河。他們父親是商業(yè)死對(duì)頭，母親卻是秘密的閨中好友。
神秘島
邁克爾·克雷格,瓊·格林伍德During the US Civil War, Union POWs escape in a balloon and end up stranded on a South Pacific island, inhabited by giant plants and animals. They must use their ingenuity to survive the dangers, and to devise a way to return home. Sequel to '20,000 Leagues Under the Sea' . Written by Stewart M. Clamen
追惡
釋小龍,王真兒,劉峰超,劉怡潼山村拐賣猖獗，警察池峰孤身潛入尋兇，地窖救人、村民暴動(dòng)、夜總會(huì)血戰(zhàn)，誓要以暴制暴守衛(wèi)法律公道。
外星精神病
Steve Baran,Jackson Berlin,Lee TomaschefskiRyan O'Neil是一位在戰(zhàn)斗中受傷后患有PTSD的退伍軍人，他懷孕的妻子斯蒂芬妮回到家中。她的哥哥托尼是一個(gè)腐敗的警察，她的丈夫一直在為這個(gè)國(guó)家服務(wù)，她一直在幫她。瑞恩和托尼從來(lái)都不喜歡對(duì)方，而托尼試圖干涉他們的婚姻，事情變得激烈起來(lái)。但是，當(dāng)瑞恩在夜晚開始在他的房子里閃現(xiàn)出殺手，外星人和其他奇怪生物的閃光和幻影時(shí)，他不確定這是真的還是只在他腦海中。斯蒂芬妮已經(jīng)和瑞恩在一起，對(duì)丈夫的行為深表?yè)?dān)憂。隨著歲月的流逝，瑞恩很快就會(huì)發(fā)現(xiàn)他的噩夢(mèng)在他身上縈繞著什么邪惡的存在。
有罪，AI如此宣判
芳根京子,臼田麻美,橋本淳, 井內(nèi)悠陽(yáng),小川冬晴,濱田信也,藤井直樹,荒井敦史,坂口涼太郎,兒島雄一,巖谷健司,岸本鲇佳,淺野和之,風(fēng)吹淳,國(guó)村隼新人法官高遠(yuǎn)寺圓（芳根京子飾）每日忙于庭審中的證人詢問(wèn)、審閱證據(jù)與鑒定報(bào)告、檢索判例以及撰寫判決書等工作。某日，圓被委以重任，負(fù)責(zé)測(cè)試性引入法院的AI系統(tǒng)“法神”。當(dāng)輸入過(guò)往審判數(shù)據(jù)后，“法神”瞬間生成的判決書與法官苦心撰寫的文書毫無(wú)二致，判決結(jié)果也完全一致。法官們?yōu)楣ぷ餍实娘w躍提升欣喜不已，唯獨(dú)圓對(duì)“法神”始終心存警惕。 圓與臨近退休的法官檜葉共同負(fù)責(zé)一宗18歲少年刺殺生父的案件。作為審判長(zhǎng)的檜葉在開庭前將數(shù)據(jù)輸入“法神”進(jìn)行判決模擬，AI瞬間給出的判決是“死刑”。 對(duì)AI能力深感興趣的檜葉。對(duì)AI愈發(fā)警惕的圓。當(dāng)陪審員們也卷入其中時(shí)，人們?cè)俣戎泵嫣綄ふ嫦嗟钠D難困境。究竟誰(shuí)能辨明真相？是AI？是人類？還是??? 這部社會(huì)派娛樂(lè)作品直面當(dāng)下以驚人速度滲透社會(huì)的AI技術(shù)，深刻叩問(wèn)使用AI的人類應(yīng)有的姿態(tài)！
公寓2024
斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.