影片推薦
藍絲絨
伊莎貝拉·羅西里尼,凱爾·麥克拉克丹尼斯·霍珀,勞拉·鄧恩,霍普·蘭格深入陰宅
辛政順,尹伊娜,申素媛通往絞刑架的電梯
讓娜·莫羅,莫里斯·羅內,喬吉斯·伯喬利,約里·貝爾坦,讓·瓦爾,埃爾加·安德森,西爾維亞娜·艾森施泰因,米舍利娜·博納,吉賽勒·格蘭普雷,Jacqueline Staup,馬塞爾·屈弗利耶,熱拉爾·達里厄,查爾斯·登納,于貝爾·德尚,雅克·黑林,馬塞爾·喬內,弗朗索瓦·茹,伊萬·彼得羅維奇,費利克斯·馬滕,利諾·文圖拉,讓-克洛德·布里亞利阿姆斯特丹
克里斯蒂安·貝爾,瑪格特·羅比,約翰·大衛·華盛頓,亞歷桑德羅·尼沃拉,安德麗婭·賴斯伯勒,安雅·泰勒-喬伊,克里斯·洛克,馬提亞斯·修奈爾,邁克爾·珊農,麥克·梅爾斯,泰勒·斯威夫特,蒂莫西·奧利芬特,佐伊·索爾達娜,拉米·馬雷克,羅伯特·德尼羅,梅爾·法爾,邦尼·赫爾曼,馬克斯·佩利希,小艾德·博格里,考林·加普,勞倫·肖,布蘭登·戴維斯,凱西·比格斯,戴·揚,肖恩·艾弗里,潔基伯明翰,瑞貝卡·薇索基,史蒂文·哈克,貝絲·格蘭特,湯姆·埃爾文,利蘭·奧瑟,馬丁·威廉·哈里斯,文森特·M·比肖內,詹姆斯風云寶石Ⅰ:羅漢巖
甄鵬宇,鄧玉瑩,張潮豐僧侶
文森特·卡塞爾,黛博拉·弗朗索瓦,約瑟芬·約比,塞爾希·洛佩斯,凱瑟琳·蒙切特,喬迪·道德爾,杰拉丁·卓別林,羅珊妮·杜蘭,Frédéric Noaille,Javivi,Martine Vandeville,Pierre-Félix Gravière,塞爾日·費拉德,恩斯特·吳默埃,Jean-Francois Vendroux,讓-克洛德·杜芬同類精選
影視排行
致命塔羅
阿凡提卡·萬達納普,雅各布·巴特朗,歐文·弗熱瑞,哈里特·斯萊特,亨伯利·岡薩雷斯,拉森·湯普森,阿丹·布拉德利,沃爾夫岡·諾沃格拉茨,斯塔薩·尼科利奇,詹姆斯·斯旺頓,艾倫·韋爾斯,桑西卡·米拉諾維奇,喬絲·卡特一群青年肆無忌憚地違反了塔羅牌的規則,釋放了牌中的可怕惡靈,他們一個接一個地面對命運的審判,使得最終陷入了一場與死亡的賽跑。
弗拉維亞
馬丁·弗瑞曼,喬納森·普雷斯,托比·瓊斯,莫莉·貝爾·賴特,安妮特·白蘭特,漢娜·紐,杰米·比米什,邁克爾·卡爾金,阿麗埃拉·格拉澤,卡蘭·吉爾,Tallulah Conabeare,瑪拉馬·科利特,皮埃爾·伯格曼,Max Cortezi,Arthur Heath,勞倫斯·拉塞爾,Zach Colton,Davide Scalcon,Liam Carrington,Gus Hudgins1951年,英國鄉村邊緣,德盧斯家族的莊園已在歲月中斑駁頹敗。11歲的弗拉維亞·德盧斯,是家族里最離經叛道的孩子——她癡迷化學,尤其精通毒藥,更有著超越年齡的偵探天賦。當一具陌生尸體出現在莊園的庭院中,她的父親哈維蘭上校成了警方的頭號嫌疑人。為了洗刷父親的冤屈,弗拉維亞拿起放大鏡與化學試劑,在老宅的藏書室、實驗室與莊園的隱秘角落中展開調查。她周旋于警探、古怪的家族成員與小鎮居民之間,在層層迷霧中探尋真相,而隨著調查深入,她也逐漸揭開了家族隱藏多年的秘密。
不倫之戀
帕特里克·迪瓦爾,阿里爾·貝西,莫里斯·羅內,杰納維夫·馬尼奇,莫里斯里什,瑪莎·梅赫勒,羅絲·蒂埃里,Michel Berto,亨利-雅克·于埃,雅克·里斯帕爾,納塔莉·貝伊,妮可·加西亞,Alan Adair,莫里斯·比羅,皮埃爾·科索,伊維斯·皮尼奧,Joseph Michael Roth,Max Vialle對于音樂家雷米(帕特里克·迪瓦爾 Patrick Dewaere 飾)來說,日子變得越來越不好過,不僅僅是職業上的停滯不前,妻子一成不變的容顏和乏味的婚姻生活也讓他幾近抓狂。就在這個節骨眼上,妻子車禍身亡的消息讓雷米感到震驚卻又有一絲解脫,而妻子留下的14歲的繼女瑪麗安(阿里爾·貝西 Ariel Besse 飾)也成為了一個包袱。瑪麗安的生父想奪回瑪麗安的撫養權,沒想到,小小的瑪麗安卻更愿意和繼父生活在一起。同一屋檐下,這對沒有血緣關系的“父女”之間的情感變得朦朧而又曖昧。對于瑪麗安的火熱表白,雷米從最初的果斷拒絕到之后的欲拒還迎,他能否守住倫理道德的最后一條底線呢?
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.