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同類好片
生還2025
邵正一,周思羽,周云鵬,彭禺厶,徐勵,邱健,侯佳音,徐雅惠,劉頔,李昕廷 ,王天心 ,李夢瑤,梁頌晴,段秋鈺,景天曈,寇文琦,劉政杰,朱宏嘉,曹衛(wèi)宇,馬國偉,楊奇鳴,逯長恩,苗博,鄭好,張宏威,葉福生,何熙維,王俏,翟赫尋秦記電影版
古天樂 , 林峯 , 宣萱 , 郭羨妮 , 滕麗名 , 白百何 , 苗僑偉 , 張繼聰 , 朱鑒然 , 吳樾 , 洪天明 , 高戰(zhàn) , 鄧一君 , 廖啟智 , 歐瑞偉 , 陳國邦 , 黃文標 , 蔡一智 , 廖子妤 , 鄭雪兒 , 徐偉棟 , 洪天照窺鏡
尼古拉斯·凱奇,羅賓·湯尼,馬克·布魯卡斯,厄尼·里夫利,雅克·格雷僧侶
文森特·卡塞爾,黛博拉·弗朗索瓦,約瑟芬·約比,塞爾希·洛佩斯,凱瑟琳·蒙切特,喬迪·道德爾,杰拉丁·卓別林,羅珊妮·杜蘭,Frédéric Noaille,Javivi,Martine Vandeville,Pierre-Félix Gravière,塞爾日·費拉德,恩斯特·吳默埃,Jean-Francois Vendroux,讓-克洛德·杜芬透明人與蠅男
北原義郎,品川隆二,葉順子,毛利郁子,南部彰三,見明凡太朗光環(huán)：夜幕
麥克·柯爾特,克里斯蒂娜·鐘導演精選
復仇天使
故事講述藝術(shù)系女生諾麗遭到同學性侵后，決定正面PK性侵者、展開還擊計劃。影片今秋北美上映。
4度空間大師
一位科學家在一次試驗中，發(fā)現(xiàn)用腦波可以使一只鉛筆穿透銅板，不過，他的實驗室在一次大火中毀滅，這位科學家不得不投靠他的哥哥。他的哥哥也在進行著另一項實驗，他發(fā)現(xiàn)重新組合原子結(jié)構(gòu)可以產(chǎn)生巨大能量。他與弟弟合作，利用弟弟的腦波和實驗心得，改變?nèi)魏挝镔|(zhì)結(jié)構(gòu)，形成“四度空間人”。 不過，“四度空間人”使用一次均會失去時間而老化，必須不斷增加能源，而每次吸取能量，就會將老化轉(zhuǎn)移他人，于是他不斷殺人以維持青春。究竟四度空間人會不會最終被消滅，請觀眾自己品味。 本片構(gòu)思新穎，運用高科技手段拍攝，是觀眾有身臨高科技時代的感覺，當然，這指的是身在影片所屬的年代！
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.