獅子的標志
歐洲在上世紀五六十年代比較盛行偵探系列的電影，但是到了七十年代，由于QS片大行其道，偵探系列的電影慢慢陷入低潮。丹麥人在這個時候大膽創新，把偵探，**，喜劇有機的融合在一起！從而創作了這個偉大的系列！小姐妹Rosa和Soffy，準備寫一本有關Boholm城堡裡Johann伯爵的小說，因為小說中提及了Johann伯爵、伯爵的女傭Yrsa還有伯爵變態的堂弟Hubert伯爵，所以她們必須讓OleS?ltoft飾演ToniBram（托尼.巴恩）來當小說的作者，小說發行後很受歡迎，不料Hubert伯爵卻帶著警察來抄查，以阻止小說繼續發行，而且要追究小說作者毀壞他家族名譽的法律責任；這時出版社的女記者Karin卡琳為了調查清楚事情的真相，獨自去城堡見Hubert伯爵，在這過程中她拆穿了伯爵虛偽的嘴臉，伯爵惱羞成怒囚禁了Karin，正在這時托尼把母親留下的日記去還給伯爵，當發現Karin被囚後救了她，警察和其他人相繼趕到，最後弄清楚了，女傭Yrsa唯一的兒子就是小說的作者Toni~暫無內容Karin和Toni深深擁抱在一起！
即刻觀影
劇情賞析
編輯推薦
7A公寓
朱莉婭·加納,黛安·韋斯特,吉姆·斯特吉斯,凱文·麥克納利,安德魯·巴肯,寇布勒·霍爾德布魯克-史密斯,瑪里·休,羅西·麥克尤恩,妮基塔·查達哈,帕特里克·利斯特,詹姆斯·斯旺頓,愛米莉·利森,Brooke Walter,Mellanie Hubert,阿聶爾·德賽,迪倫·鮑德溫,Hannah Morley,斯科特·休姆,朱莉婭·威斯科特-哈頓,Andre Lillis影片改編自艾拉·萊文的同名小說，講述1968年著名恐怖片《羅斯瑪麗的嬰兒》的前傳故事。 年輕舞者Terry Gionoffrio（朱莉婭·加納 Julia Garner 飾）遭受了毀滅性傷害，當一對富有的老夫婦承諾給她成名機會后，她發現自己被黑暗力量所吸引。
布偶秀50周年特別節目
塞斯·羅根,塞布麗娜·卡彭特,瑪婭·魯道夫,馬特·沃格爾,大衛·戈爾茲,邁克林·西提,比爾·巴雷塔,Peter Linz,史黛芬妮·迪亞布卓,埃里克·雅各布森,Elizabeth Stenmoen,泰勒·邦奇,David Rudman,Alice Dinnean,Bruce Lanoil,科琳·史密斯,James Murray,Haley Jenkins,Kevin Carlson,Artie Esposito科米蛙、豬小姐以及其他迷人的伙伴們，重返最初的布偶劇院舞臺，帶來全新的音樂、搞笑短劇，以及一連串的后臺大亂斗。
地球浩劫
肖恩·康納利,娜塔莉·伍德,卡爾·莫爾登After a collision with a comet, a nearly 8km wide piece of the asteroid "Orpheus" is heading towards Earth. If it will hit it will cause a incredible catastrophe which will probably extinguish mankind. To stop the meteor NASA wants to use the illegal nuclear weapon satellite "Hercules" but discovers soon that it doesn't have enough fire power. Their only chance to save the world is to join forces with the USSR who have also launched such an illegal satellite. But will both governments agree?
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
彈道無痕
趙巖松,陳大偉,王玉璋,劉大偉,魏琦根據徐貴祥同名小說改編。 鐵匠的兒子石平陽帶著父親的囑托參軍來到炮兵部隊。他的一股沖勁，受到營長莊必川的喜愛，老班長李四虎更喜歡石平陽不服輸的勁頭。李四虎是技術尖子，他對新戰士訓練十分嚴格，新戰士進步很快。他把石平陽視作接班人，要在自己退伍之前把經驗全部傳授給石平陽，甚至以故意裝病，讓石平陽獨立完成訓練課目。石平陽進步很快，年終還榮立了三等功。和他一起入伍的女兵張媚對他也另眼看待。教導隊招收骨干，進教導隊就能報考軍校，成為軍官。營長擔心比武缺了石平陽影響成績，因此改派與石平陽一同入伍的王北風去了教導隊。機會得而復失，石平陽有些想不通。父親去世了，指導員讓他回家料理，但他走到半路，想起父親的囑托，毅然返回連隊。李四虎復員了，石平陽接任班長，他把老班長的好傳統全部繼承下來，愛兵、愛炮、愛部隊，技術精益求精。同時入伍的王北風和張媚進了軍校，石平陽仍然當班長。排長調走了，石平陽任代理排長，這時，他入伍已有八年。團里為了留住他，讓他準備報考軍校。就在這時，新戰士劉發展一封雖事出有因但嚴重失實的告狀信，使他又失去了上軍校的機會。石平陽要復員了，副團長莊必川舍不得他離開，從車站把他接回，團黨委特別決定把他留下。石平陽又回到排里，他對劉發展更嚴格、更耐心訓練和要求，使劉發展深感內疚。幾年后，參謀王北風到部隊檢查工作，見到石平陽仍是上士，不免生出許多感觸。在集團軍的軍事演習中，石平陽指揮火炮群的準確射擊，令首長和指揮員們贊嘆不已。石平陽多年操縱的火炮由新式火炮取代了，他雖有些戀戀不舍，但他立即和戰友們開始學習掌握新的火炮，迎接新的挑戰。不久，石平陽被破格提拔為中尉連長。
破軍X檔案隱身人
白云峰 沐嵐 杜宇航 克拉拉神秘組織在一項禁忌實驗中，意外造成前“破軍”代號繼承人林中飛變成隱身人，從而人間蒸發。三年后，因一起離奇的案件，新上任的探長吳明進入大家的視野，而他的真實身份竟然是失蹤三年的林中飛。新任破軍蕭健本能識破林中飛的陰謀，卻遭心愛的戀人瑤光懷疑。林中飛一步步謀劃，使得眾人陷入絕境。顯然，他的目標不僅是復仇。生死時刻，蕭健孤身赴約，與隱身人展開了生死對決…