情難自制

★ 8.3 播放：09萬 更新：2026-04-28

酒吧女公關(guān)NIKE，一向追求刺激經(jīng)歷，常逼男友馬交對(duì)自己性虐待，以求得到快感，但馬交為人正常，對(duì)這種游戲并不欣賞，多次規(guī)勸不果，兩人感情轉(zhuǎn)淡。另一方面心理醫(yī)生白玫瑰，每天要應(yīng)酬各種變態(tài)客人，亦感到厭倦，某日NIKE到白醫(yī)務(wù)所接受治療，一時(shí)興起兩人決定掉轉(zhuǎn)身份　　

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劇情簡介

酒吧女公關(guān)NIKE，一向追求刺激經(jīng)歷，常逼男友馬交對(duì)自己性虐待，以求得到快感，但馬交為人正常，對(duì)這種游戲并不欣賞，多次規(guī)勸不果，兩人感情轉(zhuǎn)淡。另一方面心理醫(yī)生白玫瑰，每天要應(yīng)酬各種變態(tài)客人，亦感到厭倦，某日NIKE到白醫(yī)務(wù)所接受治療，一時(shí)興起兩人決定掉轉(zhuǎn)身份　　

導(dǎo)演精選

灣岸 midnight the movie

　　高中三年級(jí)學(xué)生朝倉曉生是個(gè)車迷，這天他在車行里發(fā)現(xiàn)了一輛深藍(lán)色的日產(chǎn)FairladyS30Z。這正是傳說中的“惡魔Z”，號(hào)稱速度最快的改裝車。據(jù)說“惡魔Z”仿佛有著自己的意志，能夠根據(jù)情況做出反應(yīng)，它的高速令人生畏，卻又深深地吸引著追求速度之夢的人們。“惡魔Z”曾經(jīng)的擁有者都出了事故，這輛車在世上銷聲匿跡了一陣，竟然又出現(xiàn)了。曉生迷上了“惡魔Z”，為之投入了全副精力，試圖去完全掌控它。　　繪梨子的哥哥晶夫也因?yàn)椤皭耗”而死，繪梨子非常討厭這輛車，反對(duì)讓它復(fù)活。然而曉生的熱情感染了她，她在曉生身上看到了哥哥的影子，漸漸地開始支持他。　　繪梨子的男朋友島達(dá)也曾經(jīng)是晶夫的賽車朋友，他認(rèn)為應(yīng)該把“惡魔Z”銷毀，阻止再有人犧牲。達(dá)也將愛車黑色保時(shí)捷911重新改裝，向曉生發(fā)出了戰(zhàn)書。　　惡魔Z與黑鳥的對(duì)決拉開了序幕……

阿姆魯姆

這部歷史劇以1945年春季二戰(zhàn)尾聲為背景，聚焦十歲少年南寧。其父遠(yuǎn)征戰(zhàn)場，少年竭盡所能助母養(yǎng)家：獵捕海豹、暗夜捕魚、躬耕田間。然而期盼已久的和平降臨后，卻催生全新沖突，南寧必須在廢墟之上探尋屬于自己的人生航向。

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.