波士頓扼殺者

? 7.2 播放：31萬 2026-04-26

凱拉·奈特莉將主演新片《波士頓扼殺者》(Boston Strangler)，馬特·羅斯金(《皇冠高地》)自編自導，20世紀影業出品。 聚焦臭名昭著的波士頓扼殺者謀殺案：1962年到1964年，13名單身女性在公寓被襲擊、性侵、勒死，警方經調查鎖定嫌犯Albert DeSalvo，后者認罪被判終身監禁，之后在監獄被人殺死。此案存在諸多疑點，真正的連環殺手和殺害DeSalvo之人至今仍是謎。 奈特莉飾演第一個把謀殺聯系起來并報道扼殺者故事的記者洛蕾塔·麥克勞林，她和同事吉恩·科爾一起挑戰60年代初的性別歧視，報道了波士頓最臭名昭著的連環殺手，并為了讓女性了解情況而不懈努力。 洛蕾塔冒著極大的人身危險追蹤這個故事，且發現了其中的腐敗，使人們對波士頓扼殺者的真實身份產生了懷疑。

在線觀看

? 播放 波士頓扼殺者

劇情提要

凱拉·奈特莉將主演新片《波士頓扼殺者》(Boston Strangler)，馬特·羅斯金(《皇冠高地》)自編自導，20世紀影業出品。 聚焦臭名昭著的波士頓扼殺者謀殺案：1962年到1964年，13名單身女性在公寓被襲擊、性侵、勒死，警方經調查鎖定嫌犯Albert DeSalvo，后者認罪被判終身監禁，之后在監獄被人殺死。此案存在諸多疑點，真正的連環殺手和殺害DeSalvo之人至今仍是謎。 奈特莉飾演第一個把謀殺聯系起來并報道扼殺者故事的記者洛蕾塔·麥克勞林，她和同事吉恩·科爾一起挑戰60年代初的性別歧視，報道了波士頓最臭名昭著的連環殺手，并為了讓女性了解情況而不懈努力。 洛蕾塔冒著極大的人身危險追蹤這個故事，且發現了其中的腐敗，使人們對波士頓扼殺者的真實身份產生了懷疑。

幕后花絮

靈魂密室

　　一位邪惡的馬戲團老板在幾位高中生的小鎮上演“鬼屋”，他們必須抗拒他的魔咒。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.