叛我更幸福

8.6 播放:08萬 更新:2026-04-26

Babi discovers a betrayal by her long-term partner and decides to embark on a new adventure in life. On this journey, she meets judge Marco and they begin to live a story permeated by a lot of sexual tension.

播放通道

詳細簡介

Babi discovers a betrayal by her long-term partner and decides to embark on a new adventure in life. On this journey, she meets judge Marco and they begin to live a story permeated by a lot of sexual tension.

同類推薦

摩登神探

鄭則士,廖偉雄,羅烈

  阿燦(廖偉雄飾)與肥則(鄭則士飾)一對活貝警界立下不豐功偉績。但每次都是烏龍百出,錯有錯著之下破案的,一次因涉嫌收藏大陸的非法人蛇,倆人同被革除職務。二人于無意中得悉一名叫契爺的黑社會頭子,擄去一富翁的小孫,但倆人是被革退的警員,又怎樣去處理或能否撲滅契的犯罪集團呢!  肥則為了娶阿芳(鄭麗芳飾)為妻,收留了從大陸偷渡過來的大姨媽及其女阿珍(阮佩玲飾)。阿燦愛上了賢淑可愛的阿珍,兩人很快墮入愛河。另一方面,犯罪集團主腦契爺(羅烈飾)及得力女助手阿JOE策劃一樁勒索案,但取贖金時險比警方捉拿。無計可施時,契爺捉走阿珍及阿芳來威脅阿燦及肥則替他們取贖金,并在他們身上裝了一遙控計時炸彈…

FPS

道本成美,泉知束,米澤成美,南久松真奈,巖永ひひお

  佐藤鈴(道本成美)為了逃避母親(南久松真奈)的過度干涉,在川上信夫(泉知束)的引導下,前往東京的一處房產進行內覽。盡管被告知前住戶山本孝雄(巖永ひひお)因欠租而失蹤,鈴仍被這處優質房產所吸引。信夫提議她單獨繼續內覽時,鈴順從了他的建議。然而,她在房中聽到某種不祥的聲音,被引導著打開了一扇通往異世界的門,隨后被強行拉了進去。醒來后,她發現自己身處一座荒廢的巨大建筑中,迷茫中遇到了自稱山本孝雄的男子。這個空間被某個怪物所支配,既無法逃脫,也無法死去,真正的無間地獄。

明明不是我!

阿部寬

影片改編自淺倉秋成創作的同名小說,講述了一個在社交媒體上,毫無根據的信息被視為“真相”,并逐漸演變成重大事件的現代冤案恐怖故事。阿部寬飾演的主角是大型住宅建材公司的營業部長山縣泰介,有一天突然在社交媒體上被指認為“殺人事件的兇手”,個人信息被曝光。雖然完全無辜,卻被社會追捕、陷入“網絡風暴”之中,不得不逃亡。

火山下

威廉·萊維,瑪吉.斯班多斯,阿德里亞娜·托雷維哈諾,法比奧拉·瓜哈爾多,伊利婭·蓋爾拉,Pino Montesdeoca,Antón Lofer

 A cataclysmic event serves as the backdrop for a passionate affair between two individuals torn between desire and the constraints of their circumstances.

皆為好事

盧卡斯·德拉蒙德,Liev Carlos,吉列爾梅·提奧,諾瓦爾·伯巴里,Cecília Brito,Fernando Libonati,Igor Leoni,雷娜塔·卡瓦略,Lizz Miranda,Brenda Oliveira,Rafael Freire,Matheus Nascimento,吉歐瓦多·索扎,Cuié,Luke,Rouxinol,Gleysson Moreira,Helder Amorim,Laio Andrade,Marcus Vinicius

  Beginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.