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劇情簡介
影片改編自意大利作家、散文家、記者和翻譯盧恰諾·比安恰爾迪(Luciano暫無內容Bianciardi;1922年12月14日~1971年11月14日)發表于1968年的小說《討厭的樂團》(Il暫無內容complesso暫無內容di暫無內容Loth)。
同類好片
天鵝中的狼
達里奧·格蘭迪內蒂,David Atrakchi,瑪佳麗達·維拉·諾瓦周二謀殺定律
亞歷克斯·加西亞,茵瑪·奎斯塔,阿娜·瓦格納,卡拉·坎普拉,貝倫·洛佩茲,戈爾卡·萊斯奧薩,Mia Zafra,Carmen Ruiz,Xavi Lite,保羅·皮雷,貝爾·蒙特羅,Saida Benzal,阿德里亞諾·卡瓦略,路易莎·加瓦薩,拉克爾·佩雷斯,Romeu Runa,Elsa Galv?o,佩德羅·卡薩布蘭科,Tiago Sarmento,Marga Arnau毛骨悚然撞鬼經 2012夏季特別篇
山下智久,岡田將生,香里奈,剛力彩芽,スギちゃん,稻垣吾郎,本田翼,堀內敬子,蓮佛美沙子,洼田正孝,橋本真實,菅田將暉,高橋光臣,手塚理美,木南晴夏,池津祥子一條道走到黑
甄偉,石峰,陸明明,古麗米熱艾尼瓦爾,禹帆,德吉次仁,李書雅,蔣雯旭,米熱,于山川獵殺星期一
勞米·拉佩斯,格倫·克洛斯,威廉·達福,馬爾萬·肯扎里,克里斯蒂安·魯貝克,帕爾·斯維爾·哈根,托米瓦·埃敦,凱西·克萊爾,卡梅倫·杰克,柯爾斯蒂·阿弗頓,維加·霍爾,馬達林·德拉甘,斯蒂格·弗洛德·亨里克森,亞歷山大·阮,拉臘·德坎羅,瑪麗·埃弗雷特,桑地亞哥·卡布瑞拉夏日書局
王璐導演精選
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
蒙上你的眼:逃出巴塞羅那
《蒙上你的眼:逃出巴塞羅那》由《蒙上你的眼》的制作人傾情打造,是 2018 年備受觀眾青睞的熱門電影的衍生作品。在一股神秘力量使世界人口大量減少之后,塞巴斯蒂安必須在巴塞羅那荒涼的街道上展開自己的求生之旅。當他與其他幸存者結成不穩定的聯盟,并試圖逃離這座城市時,一個意想不到、甚至更加險惡的威脅正在增長。
天才游戲
窮途末路的天才少年劉全龍(彭昱暢 飾),被偏執富家公子陳倫(丁禹兮 飾)選中,被迫踏入一場為他量身打造的“換命游戲”。豪華別墅、名車名表、神秘女友全部備齊,在陳倫的精心打造下,劉全龍瞬間擁有頂配人生。這場表面上各取所需的交易,暗地里卻殺機漸起。當眾星捧月的快感喂大了野心,貪婪的目光開始盯上原主擁有的一切,那個曾經溫順的“獵物”,開始在暗處亮出獠牙,而掌控一切的“獵人”似乎也早有籌謀。無名的尸體、操控與反噬、扮演與沉淪,這場游戲里,究竟是誰在控制誰?