劇情簡(jiǎn)介
想要z愛的丈夫們，但是妻子總是不了了之，想要用手解決卻被抓住了。內(nèi)心愧疚的妻子介紹了自己的好朋友，允許丈夫與她們一夜情…
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賭俠1999
劉德華,朱茵,張家輝,高捷,張慧儀,張錦程,李子雄,吳毅將,吳志雄,黃子揚(yáng),林尚義,李兆基阿king（劉德華 飾）當(dāng)年因出千被捕，事實(shí)上他是被人陷害的。出獄時(shí)他為他接風(fēng)的是崇拜他已久的化骨龍（張家輝 飾），化骨龍是個(gè)終日無(wú)所事事的人，希望能跟著king有所作為。出獄后的king到處尋找已懷孕的妻子（張慧儀 飾），與當(dāng)日的得力助手（張錦程 飾）， 后來(lái)King與化骨龍妹妹晴（朱茵 飾）產(chǎn)生了好感。 King得到Rocky（吳志雄 飾）的幫助上了賭船，碰見了多年前便想交手的馬交文（高捷 飾），king想與之一決高低，卻遭到馬交文的手下省鏡（李子雄 飾）陷害，揭開了king的底細(xì)更想進(jìn)一步迫害king，king又能否躲過劫數(shù)呢？
鐘無(wú)艷
鄭秀文,梅艷芳,張柏芝,黃浩然,林雪,王天林,許紹雄春秋戰(zhàn)國(guó)時(shí)期，一向昏庸好色的齊宣王（梅艷芳飾）誤闖夜叉山，碰上了美麗的寨主鐘無(wú)艷（鄭秀文飾），齊宣王決定把鐘無(wú)艷娶為皇后，可是一直傾心于鐘無(wú)艷的“狐貍精”（張柏芝飾）出手阻撓，只要鐘無(wú)艷愛上其他的人，臉上便會(huì)無(wú)緣無(wú)故多出一塊難看的紅斑。狐貍精后來(lái)化身夏迎春勾引齊宣王，齊宣王終日沉醉溫柔鄉(xiāng)。而鐘無(wú)艷為了夫君出生入死、南征北戰(zhàn)。齊宣王只會(huì)有事求助于鐘無(wú)艷時(shí)才好言相向。齊宣王十分好賭，竟然把鐘無(wú)艷作為作為籌碼輸?shù)袅耍姛o(wú)艷憤怒離開，臉上紅斑也自然消失。夏迎春得逞后也離開了皇宮，齊宣王才發(fā)現(xiàn)自己最愛為何人，浪子回頭。在受到叛徒攻擊時(shí)，還是愛著齊宣王的鐘無(wú)艷，趕到了皇宮，幫忙驅(qū)走外敵……
魔法壞女巫
辛西婭·埃里沃,愛莉安娜·格蘭德,杰夫·高布倫,楊紫瓊,喬納森·貝利,伊桑·斯萊特,瑪麗莎·博德,彼特·丁拉基,安迪·尼曼,考特尼-梅·布里格斯,楊伯文,布朗溫·詹姆斯,伊迪娜·門澤爾,克里斯汀·肯諾恩斯,基拉·塞特爾,莎倫·D·克拉克,科林·邁克爾·卡邁克爾,亞當(dāng)·詹姆斯,愛麗絲·費(fèi)恩,詹娜·博伊德,肖恩·普倫德加斯特,亞倫·張,Lexi Lancaster,Arlo Turner影片講述了奧茲國(guó)兩位女巫鮮為人知的成長(zhǎng)故事。因綠色皮膚而備受誤解的艾芙芭（辛西婭·埃里沃 Cynthia Erivo 飾）與光彩奪目、野心勃勃的格琳達(dá)（愛莉安娜·格蘭德 Ariana Grande 飾）在西茲大學(xué)結(jié)識(shí)，性格迥異的二人卻建立起了深厚的友誼。然而，隨著與奧茲國(guó)大巫師的邂逅，她們的友誼走向十字路口，二人面臨著截然不同的命運(yùn)之路。這段奇幻冒險(xiǎn)揭示了友誼、力量與自我發(fā)現(xiàn)的真諦。
狄仁杰之彼岸奇花
陳浩民,尚娜,劉金,金寧,崔冬辰,陳宇星,劉威州狄武周天授元年，嶺南潞州城司馬孔成業(yè)迷戀修道煉丹，傳聞?wù)业搅碎L(zhǎng)生不老丹的藥方，只缺一味名叫彼岸花的奇草。傳言這是來(lái)自地獄的死亡之花，常年生長(zhǎng)在墳冢幽谷之中，能致人產(chǎn)生幻覺，中幻覺者如妖邪附體般，發(fā)狂發(fā)癲，死狀凄慘。 孔成業(yè)發(fā)出懸賞，采到彼岸花者，賞百金。山民獵戶等紛紛進(jìn)山尋找，連孔成業(yè)也帶人到處扒墳冢、探幽谷。忙活的孔成業(yè)突然慘死，死前發(fā)狂。連他的幾名參軍也死相極慘，都說(shuō)孔成業(yè)采到了彼岸花，被妖邪附身殺死，鬧得滿城風(fēng)雨。潞州刺史陸英杰上報(bào)朝廷，恰逢狄仁杰巡查嶺南諸州，女皇武則天命其前往潞州，全權(quán)調(diào)查此案.。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
忌怪島
西畑大吾,山本美月,生駒里奈,當(dāng)真亞美,平岡祐太,水石亞飛夢(mèng),川添野愛,禱云母,大谷凜香,笹野高史,伊藤步,灘儀武本片將聚焦如今頗受關(guān)注的“元宇宙世界”。VR研究小組成員一個(gè)個(gè)因?yàn)椴幻鞯脑蛩劳觯聧u上“紅色女”的咒怨被解禁，慘劇拉開序幕。
小婦人2019
西爾莎·羅南,艾瑪·沃森,弗洛倫絲·皮尤,伊萊扎·斯坎倫,勞拉·鄧恩,提莫西·查拉梅,梅麗爾·斯特里普,鮑勃·奧登科克,詹姆斯·諾頓,路易·加瑞爾,克里斯·庫(kù)珀,崔西·萊茨,艾比·奎因,薩莎·弗羅洛娃,莉莉·恩格勒特,愛德華德·弗萊徹,杰妮·霍蒂謝爾,多梅尼克·阿爾迪諾,湯姆·斯特拉特福,托馬斯·馬里亞諾,哈德莉·羅賓遜,杰米·加扎里安馬奇夫人（勞拉·鄧恩 Laura Dern 飾）有著四個(gè)如花似玉的女兒，大女兒梅格（艾瑪·沃森 Emma Watson 飾）擁 有著美麗的外表，和對(duì)于愛情的天真憧憬。二女兒?jiǎn)蹋ㄎ鳡柹ち_南 Saoirse Ronan 飾）滿腦子塞著古靈精怪的念頭，整天拿著蘸水筆東寫西寫，她的故事在全家上下都受到了熱烈的歡迎。三女兒艾米（佛羅倫斯·珀 Florence Pugh 飾）渴望成為一名畫家。最小的女兒貝斯（伊萊扎·斯坎倫 Eliza Scanlen 飾）雖然個(gè)性比起三個(gè)姐姐要來(lái)的內(nèi)向的多，卻擁有杰出的音樂天賦。在馬奇夫人的教導(dǎo)之下，四個(gè)姑娘漸漸成長(zhǎng)為了擁有獨(dú)立人格的杰出女性，她們熱情、樂觀、善良，每個(gè)人都在各自的道路上堅(jiān)強(qiáng)而又堅(jiān)定的前進(jìn)著。