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死亡修女
阿瑞亞·貝得瑪,阿爾穆德納·阿莫爾,Maru Valdivielso,Luisa Merelas,Chelo Vivares,Pablo Guisa Koestinger,康斯薇洛·特魯希略,Daniela Casas,Olimpia Roch,Sara Roch,Marina Delgado,Claudia Fernández Arroyo,Adriana Camarena遇見不同的遇見
高曉攀,李萌萌,李明,龔玥菲,劉德強(qiáng),趙晉,張暘,郭京波,趙銘,王雪純,金道鑫鑫,于時(shí)弈,劉樂銘驚魂記1960
安東尼·博金斯,維拉·邁爾斯,約翰·加文,珍妮特·利,馬丁·鮑爾薩姆,約翰·麥克因泰,西蒙·奧克蘭,弗蘭克·艾伯森,帕特里夏·希區(qū)柯克,沃恩·泰勒,盧倫·塔特爾,約翰·安德森,莫特·米爾斯,吉特·卡森,維吉尼亞·格雷格,阿爾弗雷德·希區(qū)柯克,珍妮特·諾蘭,羅伯特·奧斯本,海倫·華萊士,Fletcher Allen,沃爾特·培根,弗朗西斯·德塞爾斯,喬治·多克斯塔德,喬治·埃爾德雷奇,哈珀·弗萊厄蒂,薩姆·弗林特,弗蘭克·基爾蒙德,泰德·奈特,帕特·麥卡弗里,漢斯-喬基姆·默比斯,弗雷德·謝威勒公子?jì)?/h3>伊雷,雪梨,周聰,劉克宣
青出于藍(lán)2025
索菲婭·莉莉絲,戴夫·巴蒂斯塔,鮑比·坎納瓦爾,凱特·德爾·卡斯蒂洛,杰克·尚皮永,托尼·達(dá)爾頓,布魯·德爾·巴里奧,印達(dá)·納瓦雷特,惠特尼·皮克,澤爾·亞當(dāng)斯狂龍伏妖
陳浩民,喬牧,肖明玉同類推薦
布偶秀50周年特別節(jié)目
塞斯·羅根,塞布麗娜·卡彭特,瑪婭·魯?shù)婪?馬特·沃格爾,大衛(wèi)·戈?duì)柶?邁克林·西提,比爾·巴雷塔,Peter Linz,史黛芬妮·迪亞布卓,埃里克·雅各布森,Elizabeth Stenmoen,泰勒·邦奇,David Rudman,Alice Dinnean,Bruce Lanoil,科琳·史密斯,James Murray,Haley Jenkins,Kevin Carlson,Artie Esposito科米蛙、豬小姐以及其他迷人的伙伴們,重返最初的布偶劇院舞臺(tái),帶來全新的音樂、搞笑短劇,以及一連串的后臺(tái)大亂斗。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
“騎”逢對(duì)手
那馨,李夢(mèng)男,任悅鳴,龐統(tǒng),閆震寧,陳家葆影片講述善良的外賣騎手劉大鵬偶然救了一位富翁,對(duì)富翁千金馬小蕓一見傾心,而馬小蕓正陷入一場(chǎng)險(xiǎn)惡圈套中,劉大鵬挺身而出,幫助馬小蕓戰(zhàn)勝邪惡的故事。
科學(xué)怪人對(duì)地底怪獸
高島忠夫,Nick Adams,水野久美,土屋嘉男,佐原健二,伊藤久哉,沢井桂子1945年,盟軍突入德國,德國瘋狂科學(xué)家李然博士研究的項(xiàng)目----科學(xué)怪人法蘭克的心臟被潛艇秘密轉(zhuǎn)移到了其同盟國日本的廣島陸軍醫(yī)院,供起研究出不死的士兵,然而核子爆炸使一切化為灰勁.十五年后,科學(xué)家在廣島研究核子放射能對(duì)人類還有環(huán)境的研究中,意外的發(fā)先了一個(gè)孩子,在檢測(cè) 中發(fā)現(xiàn)其雖然受過核子放射能的照射,但一點(diǎn)都沒有被污染,經(jīng)過調(diào)查發(fā)現(xiàn)原來這個(gè)孩子在核子爆炸后迷一樣的出現(xiàn)在廣島的英樹醫(yī)院(原廣島陸軍醫(yī)院),而且他還在不停的變大,所以科學(xué)家們推測(cè)當(dāng)年的法蘭克的心臟在受到了放射能的影響后,發(fā)生了異變,他們稱其為廣島怪人法蘭克.然而這時(shí)的法蘭克已經(jīng)變大到人們不可控制的地步,并且逃出了醫(yī)院,另一方面,在秋田油田,出現(xiàn)了地底怪獸,最后兩只巨大的生物在平原相遇,并進(jìn)行了激烈的戰(zhàn)斗,最后法蘭克用火戰(zhàn)勝了地底怪獸,然而與此同時(shí)一只大章魚在悄悄的接近他.........
陰陽眼見子2025
原菜乃華,久間田琳加,奈葉,山下幸輝,堀田茜,吉井憐,高岡早紀(jì),京本大我,瀧藤賢一改編自泉朝樹創(chuàng)作的同名暢銷漫畫,講述女高中生突然發(fā)現(xiàn)自己能看到鬼魂,她選擇假裝看不見,即使同學(xué)被鬼魂纏身,她也視而不見。她能通過這種方法克服這場(chǎng)危機(jī)嗎?