紅色響尾蛇

★ 6.7 播放：72萬 更新：2026-04-24
主演：謝賢 南紅 李香琴 

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導(dǎo)演精選

瘋狂動(dòng)物城2

　　一個(gè)神秘爬行動(dòng)物的到來，把溫馨的動(dòng)物城攪動(dòng)得天翻地覆。面對(duì)全新的城市危機(jī)，警官兔朱迪（金妮弗·古德溫 Ginnifer Goodwin 配音）與狐尼克（杰森·貝特曼 Jason Bateman 配音）將繼續(xù)攜手為保衛(wèi)動(dòng)物城而奔波。在追捕行動(dòng)中，這對(duì)老搭檔不僅要揭開新角色的神秘面紗，還要前往被迷霧籠罩的新領(lǐng)域，探索未知的地下黑市，一場(chǎng)瘋狂動(dòng)物城的全新冒險(xiǎn)即將展開……

監(jiān)控錄像

　　《幽靈人間》：一幢豪華的別墅內(nèi)，年邁的主人坤桑遇刺身亡。他曾留下遺囑，將房子留給一對(duì)連體的雙胞胎姐妹花。但是條件只有一個(gè)，姐妹倆必須為祖父首領(lǐng)三天。守靈之夜，怪事頻發(fā)，鬼影幢幢，殺機(jī)四伏；《第11層天堂》：在名為“Heaven 11”的超市內(nèi)，開業(yè)不到兩個(gè)月內(nèi)，接連4名店員自殺身亡。從收銀臺(tái)前的監(jiān)視器內(nèi)，可以清楚看到自殺收銀員的身影。所見之人，不寒而栗，死亡詛咒仍在繼續(xù)，純情的收銀女孩步入死局；《第八層地獄》 ：命運(yùn)凄慘的女孩在大廈電梯間被粗暴蠻橫的負(fù)心漢殘忍殺害。美人香銷玉殞，但冤魂久久不散。電梯間內(nèi)，血腥的一幕重復(fù)上演，輪回不止……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.