劇情縱覽
結婚七年的秀熙因為丈夫的生理缺陷一直不能生育,漸漸對生活有了倦怠之意。丈夫炳努為妻子的這種精神狀態所遷怒,開始虐待秀熙。秀熙對生命的意義產生懷疑,后遇到丈夫的同事民旭,兩人產生了感情。炳努得之二人情事,十分震怒,對兩個人大發雷霆。秀熙和民旭為避開炳努來到海邊。最終,炳努還是原諒了他們,并認可了他們的感情。沒想到,第二天秀熙卻看到了警察送來的丈夫的尸體 hellip; hellip;
結婚七年的秀熙因為丈夫的生理缺陷一直不能生育,漸漸對生活有了倦怠之意。丈夫炳努為妻子的這種精神狀態所遷怒,開始虐待秀熙。秀熙對生命的意義產生懷疑,后遇到丈夫的同事民旭,兩人產生了感情。炳努得之二人情事,十分震怒,對兩個人大發雷霆。秀熙和民旭為避開炳努來到海邊。最終,炳努還是原諒了他們,并認可了他們的感情。沒想到,第二天秀熙卻看到了警察送來的丈夫的尸體 hellip; hellip;
影片《靈異醫院》講述的是一個有著不堪過去的女人在一家新近倒閉關門的醫院找到了一份核對病人簡歷復印件的工作,而孤獨一人在隔絕的醫院值夜班的過程中她經歷了一些神秘事件。有所警覺的她通過這些事件發現醫院可能和近日出現的謀殺案有關,而要破解這些謎團,首先她需要仔細梳理一下自己混亂的過去。
橫跨30年的10宗滅門慘案,所有遇害家庭都有一個共通點:有一位14號生日的小女生。
在大雨瓢潑的星期五,帕克夫人(Kassie Wesley DePaiva 飾)突然身體不適,跌倒路旁的水坑中痛苦死去。該事件給她的家人以不小的打擊,三個孩子伊莉絲(安拜·柴爾德斯 Ambyr Childers 飾)、蘿絲(朱莉婭·加納 Julia Garner 飾)和羅瑞(Jack Gore 飾)憂傷不已,男主人弗蘭克(比爾·薩奇 Bill Sage 飾)卻似乎格外震驚。在孩子們的眼里,爸爸是至高無上權力的象征,女孩們渴望像同齡人一樣快樂自由成長,卻無奈必須服從爸爸的命令。籠罩在淡淡悲傷中的帕克家,隱藏著令人不敢直視的恐怖秘密,一本日記揭示著家族注定被詛咒的命運和歷史。 與此同時,小鎮周圍的人口失蹤事件和意外被洪水沖出的手指骨,引起了有心人的關注,帕克家的秘密即將大白天下……
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster