劇情簡介
司法考試合格的,他從不照顧年長的女朋友說的瓊瑤更理想的欲望產生的原因不一樣的藉口單方面分手。與以往不同,變得自信被醫生家的課外生的小恩情和火辣的戀愛是為城市近郊的清燉美味家。那個地方妙齡女子,瓊瑤綁架了深山別墅監禁。瓊瑤的四肢捆住的泰秀的暴力和刺激的方法。以她獨特的復仇。各種各樣的誘惑難以琳瑯滿yao在上半瘋的泰秀來找恩和火熱的欲望。。。
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主謀
喬什·奧康納,阿拉娜·哈伊姆,蓋比·霍夫曼,約翰·馬加羅,比爾·坎普,霍普·戴維斯,萊齊·費利茲,馬修·馬希爾,科爾·杜曼,瑪戈特·安德森-宋,伊萊·蓋布,胡安·卡洛斯·赫爾南德斯,讓·扎爾祖爾,瑞安·霍姆奇克,威爾遜·康克賴特,凱蒂·哈伯德,史蒂文·特里·沃克,D·J·斯特勞德,格雷格·維奧蘭德,安吉爾·科恩斯在天眼尚未密布,監場保安仍會打瞌睡的二十世紀七十年代,名畫大盜就是會光天化日,大剌剌走進美術館,直接把獵物從墻上取下放入布袋運走。看似兒戲的一切,背后主謀還要是住在市郊、人畜無害的住家男人。凱莉·萊卡特完全棄用好萊塢盜寶片敘事公式,改以其擅長的左翼簡約主義鏡頭,捕捉觸犯藝術罪行者的日常生活、雙面人的言行處境,以及事件周遭人情冷暖。阿瑟多夫的抽象畫作未必是一個借口,但到頭來凸顯存在荒謬的公路逃亡,儼然為觀眾添加了不少欣賞和思考的層次。
太空生活
羅伯特·帕丁森,朱麗葉·比諾什,安德雷·本杰明,米婭·高斯,阿加塔·布澤克,拉斯·艾丁格,克萊爾·陳,伊萬·米切爾,格洛里亞·奧比安約,斯嘉麗·林賽,杰西·羅斯,維克多·班納杰,Juliette Picollot,Mikolaj Gruss,Weronika Wachowska在一艘飛往黑洞的宇宙飛船上,一群被判死刑的罪犯被賦予太空英雄般的使命,去為地球尋找替代能源。囚犯之間的性活動被嚴格禁止,只能通過飛船上的"盒子"裝置來緩解生理沖動。其中,Dibs博士(朱麗葉·比諾什 飾)將每個囚犯當作實驗動物對待,并瘋狂致力于通過人工授精來制造嬰兒,然而這些實驗卻一直沒有成功,直到她偷偷取得奉行禁欲生活的Monte(羅伯特·帕丁森 飾)的精液...
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
偉大的覺醒
John Paul Sneed,喬納森·布萊爾,Josh Bates,Joe Dignoti,Stephen Foster HarrisExploring the friendship between renowned preacher George Whitefield and Benjamin Franklin, and Whitefield's impact during the pivotal Great Awakening religious movement.
鐘無艷
鄭秀文,梅艷芳,張柏芝,黃浩然,林雪,王天林,許紹雄春秋戰國時期,一向昏庸好色的齊宣王(梅艷芳飾)誤闖夜叉山,碰上了美麗的寨主鐘無艷(鄭秀文飾),齊宣王決定把鐘無艷娶為皇后,可是一直傾心于鐘無艷的“狐貍精”(張柏芝飾)出手阻撓,只要鐘無艷愛上其他的人,臉上便會無緣無故多出一塊難看的紅斑。狐貍精后來化身夏迎春勾引齊宣王,齊宣王終日沉醉溫柔鄉。而鐘無艷為了夫君出生入死、南征北戰。齊宣王只會有事求助于鐘無艷時才好言相向。齊宣王十分好賭,竟然把鐘無艷作為作為籌碼輸掉了,鐘無艷憤怒離開,臉上紅斑也自然消失。夏迎春得逞后也離開了皇宮,齊宣王才發現自己最愛為何人,浪子回頭。在受到叛徒攻擊時,還是愛著齊宣王的鐘無艷,趕到了皇宮,幫忙驅走外敵……
求愛反斗星
張艾嘉,陳百祥,張國榮,曹查理繁華的國際大都會香港鬧市中心,口若懸河的洪家寶(陳百祥 飾)帶著傻乎乎的小弟麥交(邵國華 飾)公然行竊,結果路上遭遇妙齡女郎嘉嘉(張艾嘉 飾)舉報。雖然兩人百般抵賴,但在最后關頭漏了馬腳,被警察關進監獄。令洪、麥意想不到的是,嘉嘉居然是監獄的輔導官,所謂冤家路窄,洪家寶真是窩了一肚子火。二人所在的牢房獄霸橫行,為了逃出對方魔爪,他們不惜羞辱監獄長官。經過一段時間牢獄之災,二人和獄中認識的伙伴冠仁(胡大為 飾)出獄。誰知他們死性不改,騙吃騙喝再度鋃鐺入獄,這次又撞上了有著一副好皮囊、愛裝警察的小混混榮仔(張國榮 飾)?! 『榧覍毚罅R榮仔,意想不到的是榮仔的老姐居然就是洪的仇敵嘉嘉……
追殺51號
穆罕默德·阿里坎,阿黛爾·艾克薩勒霍布洛斯,路易·加瑞爾,吉爾·勒盧什,羅曼·杜里斯,瓦萊麗亞·布魯尼·泰德斯基,達芙妮·帕塔基亞,維克多·阿爾特斯·索拉羅,托馬斯·班加爾特,阿克賽·百利,斯特凡納·巴克,雨果·狄龍,卡梅爾·拉布魯迪,薩杜·巴未來巴黎,階層鴻溝割裂都市。超腦Alma執掌秩序,其創造者暴斃后,警探薩利亞聯手澤姆揭開顛覆割裂世界的驚天謎團。