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極地大冒險3
Matthew Whelan,Emma Jenkins,Dermot Magennis,保羅·泰來克,Roger Gregg,艾琳·米森,Lucy Smith,Harry Weld-Moore,Justin Daniels Anene,盧克·格瑞芬,Brendan McDonald,Mary Murray,Susan Slott,Michael Sheehan,Cameron Simpson,Evan O'Connor,Michelle Read,羅爾夫·伯格,Tobias Breckl侵略機器
約書亞·迪亞茲,阿蘭·里奇森,丹尼斯·奎德,杰·科特尼,埃塞·莫拉雷斯,杰克·派頓,丹尼爾·韋伯,凱南·朗斯代爾,大衛·湯姆林森,史蒂芬·詹姆士,喬伊·維埃拉,杰克·萊恩,克里斯托弗·卡比,詹姆斯·博福特,Matt Testro,Victory Ndukwe,Blake Richardson,Jacob Hohua,Heather Burridge,Will Curtin河童之湄瀾怪談
龐玉龍,黃柏鈞,張沙沙,鄭曉民,何涌生破軍X檔案隱身人
白云峰 沐嵐 杜宇航 克拉拉婚前脫單快樂
Katlego Lebogang,Siya Sepotokele Raymond真正的痛苦
杰西·艾森伯格,基南·卡爾金,福田知盛,詹妮弗·格雷,庫爾特·埃賈萬,麗莎·薩多威,丹尼爾·奧雷斯克斯,埃洛拉·托爾基亞,班納·艾森伯格,彼得·查赫尼埃基,雅各布·貢索夫斯基,奧爾哈·博索瓦,克日什托夫·雅什查克,馬雷克·卡斯普日克,雅各布·普魯斯基互幫互助
黑木華,中村蒼,藤間爽子,安藤玉惠,近藤華,白鳥玉季,吉岡睦雄,松本利夫,升毅,西田尚美,田口智朗,風吹淳,草笛光子同系列推薦
榮耀嘻哈
莎黑茲·薩姆,萬·哈納菲蘇,Aida Amron,韓家濠邪惡之屋
喬賽琳·唐娜休,湯姆·諾南,瑪麗·沃倫諾夫,格蕾塔·葛韋格,AJ·鮑恩,迪·沃倫斯,希瑟·羅博,莉娜·鄧納姆,格雷厄姆·瑞斯尼克,緹·威斯特大明嬪妃之殺機
朱一龍,何杜娟,關慧卿,陳思璇他人即地獄(日影)
八村倫太郎,柳俊太郎,岡田結實,三浦健人,青木さやか,大倉空人,萩原圣人,鈴木武,星耕介,濱津隆之,日比美思,松角洋平,大野泰廣傲嬌公主的奇幻冒險
馬雷克·蘭博拉,安娜·菲亞洛娃,Ales Procházka偶像大師 百萬現場! ~終將,立于中央~
桐谷蝶蝶,小巖井小鳥,諏訪彩花,山崎遙,田所梓,齊藤真知子,角元明日香,愛美,仁后真耶子,高橋智秋,中村源太幕后花絮
凌晨是神的時間
據日本警方統計,每年僅提交申請的失蹤人口就達10萬人,其中9萬人的行蹤可疑確認,但仍有1萬人下落不明。位于遠郊的一座深山叢林,似乎具有著強烈的魔性,無數人進入這里,從此消失無蹤。少女繭(日南響子 飾)偶然和父親目擊一輛綁架了少女的車,父女倆一路追蹤,走上了不歸之途;家庭主婦真奈(桐島れいか 飾)十年前曾在林中丟失長女,如今他的小女兒阿櫻離家上學后也一去不返;正在拍攝恐怖電影的新人女演員麗奈(飛鳥凜 飾)結束工作后,不得不穿越那座恐怖的森林,其中的景象與聲音令她戰栗不已;小女孩薰(藤本七海 飾)受托照顧鄰家的孩子,可是她卻遭遇了一個恐怖的人形。 不同的人,不同的故事,同樣的恐怖……
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster