色欲檔案之麻雀臺上淫

★ 4.1 播放：82萬 更新：2026-04-24

nbsp;超過20種xing愛場面，絕對值得珍藏的飛機恩物！正職做愛、兼職打麻雀的咸球與Q.Q.拍拖兩年，幾乎所有正常的xing愛姿勢都試過，二人也對枯燥的xing生活感到乏味，認為要尋尋新的衝激。咸球有一雀友兼死黨滿仔，其釹友小MAY青春可愛、身材惹火，早令咸球充滿xing幻想，一直希望跟她上床。 　　

在線播放

劇情簡介

nbsp;超過20種xing愛場面，絕對值得珍藏的飛機恩物！正職做愛、兼職打麻雀的咸球與Q.Q.拍拖兩年，幾乎所有正常的xing愛姿勢都試過，二人也對枯燥的xing生活感到乏味，認為要尋尋新的衝激。咸球有一雀友兼死黨滿仔，其釹友小MAY青春可愛、身材惹火，早令咸球充滿xing幻想，一直希望跟她上床。 　　

導演精選

筆仙2004

　　從漢城轉學到父母家鄉的高中后，李玉甄（李世恩 飾）受到班里四個女生的欺負，為了報復，她和另外兩個也常受她們欺負的同學玩起請筆仙的游戲，筆仙請來后，李玉甄施下詛咒，但也被鬼魂附身，不久，四個女生中有三人相繼以自焚的方式死去，警察調查后，將目標人物鎖定為李玉甄，可是此時李玉甄已 完全喪失記憶。　　新調來的美術老師李恩珠（金圭莉 飾）第一天上課點名時，喊到29號金仁淑的名字時，全班同學厲聲尖叫，令她十分不解，在心儀她的同事的幫助下，她發現有關金仁淑的秘密，而這個秘密，也與李玉甄及死去的三名女生有很大干系。

正義救贖

莉莉聯合男友二毛假綁架騙父王總200萬，同伙實為遭她當年陷害的前男友大頭，其目的是報復。交易前夕三方因各懷鬼胎爭斗，王總趕到救下莉莉，參與假綁架者皆因貪欲將面臨法律制裁，警示莫因欲望犯錯。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.