在線播放
劇情簡(jiǎn)介
一部關(guān)于一個(gè)男人和一個(gè)他是朋友的女人過(guò)夜的劇情電影
同類好片
畫(huà)筆與旋律
Laura Chiatti,Salvatore Langella,Filippo Nigro無(wú)懼之愛(ài)
協(xié)塔朋·平朋,翁韋德·答奴翁,安蘇瑪琳·瑟拉帕薩默莎,卡維·丹扎拉嵐,索姆查·肯格拉,????????????? ???????害蟲(chóng)2023
西奧·克里斯廷,索菲婭·勒薩弗爾,杰羅姆·尼爾,麗莎·尼亞科,費(fèi)尼肯·歐菲爾德,Marie-Philomène Nga,馬哈瑪?shù)隆どYだ?阿卜杜拉·蒙迪,Ike Zacsongo,埃馬紐埃爾·博納米,Xing Xing Cheng,Samir Nait,Malik Amraoui,Lehcem Mahidi,Nasser Mehal,Abdelkader Bounoir,Karim Daoues,Christine Kay,斯蒂芬·馬拉瑟內(nèi),Aicha Ameddah浩劫后
杰森·羅巴茲,喬貝茲·威廉姆斯,斯蒂夫·古根伯格,約翰·卡倫幻想游戲
久本雅美,板野友美,田中幸太朗,仙石南后來(lái)的我們韓版
具教煥,文佳煐,姜末琴人氣佳作
阿勒泰之歌
阿依波塔·杰恩斯,銀珠·木拿里別克,海拉提·哈木,張大磊,張雅玫,達(dá)列力汗·哈德?tīng)?阿來(lái)·阿依達(dá)爾汗,葉爾那爾·俄合拉斯別克,阿力木江·吐?tīng)査拱菘?麗娜·夏侃,阿依江·賽力克,達(dá)布力·黑巴提,庫(kù)力加孜拉·比亞地小婦人2019
西爾莎·羅南,艾瑪·沃森,弗洛倫絲·皮尤,伊萊扎·斯坎倫,勞拉·鄧恩,提莫西·查拉梅,梅麗爾·斯特里普,鮑勃·奧登科克,詹姆斯·諾頓,路易·加瑞爾,克里斯·庫(kù)珀,崔西·萊茨,艾比·奎因,薩莎·弗羅洛娃,莉莉·恩格勒特,愛(ài)德華德·弗萊徹,杰妮·霍蒂謝爾,多梅尼克·阿爾迪諾,湯姆·斯特拉特福,托馬斯·馬里亞諾,哈德莉·羅賓遜,杰米·加扎里安守骨異獸
約翰·瑞斯-戴維斯,薩拉·亞歷山德拉·馬克斯,Louis James,蒂芙妮·漢納姆·丹尼爾斯,索菲亞·埃萊尼,Danny Rahim,泰勒·溫奇科姆,Sarah T. Cohen,Lee Baker,Marco Antonio Clifton,安吉拉·迪克森,Wayne Gordon,索菲·蘭金鐵肺
馬克·費(fèi)施巴赫,卡蘿·卡普蘭,特洛伊·貝克,埃爾希·洛夫洛克,艾麗·拉蒙特,Dave Pettitt,Isaac McKee,Asher Wagh,Kazuki Jalal,阿拉娜·皮爾斯,Seán McLoughlin,David Szymanski,丹妮爾·普勒格,拉胡爾·寇利,Ethan Nestor,瓦爾基雷導(dǎo)演精選
選擇之她·他
一個(gè)選擇,兩種人生軌跡。她的故事,還是他的真相?
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
借口公司
格雷(菲利普·拉肖 Philippe Lacheau 飾)是“借口.com”公司的創(chuàng)始人,專門為需要“打掩護(hù)”的客戶制造各種各樣的借口和謊言。因?yàn)樘厥獾男再|(zhì)和高需求,公司的經(jīng)營(yíng)蒸蒸日上。一次偶然中,格雷邂逅了名為弗洛(艾羅娣·方坦 élodie Fontan 飾)的女子,弗洛的天真和單純深深的吸引著格雷,令后者墜入情網(wǎng)。格雷深信,她就是他命中注定要尋找的另一半。 然而,令格雷頭疼的是,弗洛是一個(gè)對(duì)“撒謊”零容忍的的人,如果告訴了她自己的真實(shí)身份,她一定會(huì)憤怒的拂袖而去。無(wú)奈之下,格雷只得用謊言將自己重重包裝,在虛偽的假面下,格雷終于和弗洛走到了一起,可是當(dāng)他到弗洛家做客時(shí)才發(fā)現(xiàn),弗洛的父親竟然就是自己的客戶。