我唾棄你的墳墓2

? 4.7 播放：51萬 2026-04-28

翻拍自影史十大禁片之一。 影片圍繞一個年輕姑娘來紐約尋找模特夢而展開。雖然她有堅定的夢想，但本片的主旨是「夢想將成為她最糟糕的噩夢」，她將要遭遇綁架強姦折磨等慘絕人環的經歷，而她的逆襲報復才是本片的重頭戲。

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劇情提要

翻拍自影史十大禁片之一。 影片圍繞一個年輕姑娘來紐約尋找模特夢而展開。雖然她有堅定的夢想，但本片的主旨是「夢想將成為她最糟糕的噩夢」，她將要遭遇綁架強姦折磨等慘絕人環的經歷，而她的逆襲報復才是本片的重頭戲。

幕后花絮

犬之力

 富有魅力的牧場主菲爾·伯班克（本尼迪克特·康伯巴奇 飾）讓他周圍的人又敬又怕。當他的兄弟將新婚妻子以及她的兒子帶回家時，菲爾百般折磨他們，直到有一天，他發現自己對愛也存有一絲渴望。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster