劇情縱覽
安(伊莎貝爾·于佩爾暫無內容Isabelle暫無內容Huppert暫無內容飾)是一名小有名氣的職業鋼琴家,在安看來,自己家庭幸福,堪稱模范。在和丈夫長達十五年的婚姻里,安一直堅信著他們之間的感情一如最初那樣忠貞和純潔。不幸的是,這一切只不過是安自己的臆想罷了,丈夫的出軌很快就讓幸福的假象毀于一旦。憤怒和痛苦之間,安做出了一個瘋狂的決定,她銷毀了自己的身份證明,凍結了所有存款,也銷毀了職業生涯中的一切成果和機會,她決定來一次人間蒸發。
安(伊莎貝爾·于佩爾暫無內容Isabelle暫無內容Huppert暫無內容飾)是一名小有名氣的職業鋼琴家,在安看來,自己家庭幸福,堪稱模范。在和丈夫長達十五年的婚姻里,安一直堅信著他們之間的感情一如最初那樣忠貞和純潔。不幸的是,這一切只不過是安自己的臆想罷了,丈夫的出軌很快就讓幸福的假象毀于一旦。憤怒和痛苦之間,安做出了一個瘋狂的決定,她銷毀了自己的身份證明,凍結了所有存款,也銷毀了職業生涯中的一切成果和機會,她決定來一次人間蒸發。
百萬富翁Diego Verastegui(Gustavo Alatriste 飾)在他自己的家里被殺害,保險箱里寶貴的公文包也被取出來了,當Diego Verastegui的保鏢回到家時,他發現了三名犯罪嫌疑人:Carlos Verastegui(George Akram 飾),百萬富翁的兒子;Anna Karina(Guillermo Londo?o 飾),一個可愛的女孩;安德烈斯,一個放蕩不羈的魔術師。三人各執一詞,究竟他們誰才是殺害Diego Verastegui的兇手?
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
When a baby boy shows up on their doorstep days before Christmas with a note written specially for them, Erin (Liebert) and Kelly (Barrell) must learn how to navigate their new relationship and career dynamics while unexpectedly caring for a newborn. As the couple spends more time with the baby as a temporary solution until he can be placed permanently or they can find his mother, they begin to realize that they want to adopt him themselves and go about navigating the complicated world of fostering to adopt all while their business is booming at the busiest time of the year, Christmas. Starring Ali Liebert, Katherine Barrell and Barbara Niven.
三毛(賈林 Jia Lin 飾)從來就是銀幕上喜劇人物。這次,三毛從軍了??谷諔馉幦姹l了,無所事事的三毛一心想著為國立功,加入了軍隊。不料,新兵訓練的時候就笑話百出。手榴彈實彈投擲訓練時,三毛一不小心就將手榴彈投到了戰壕里,搞得全軍上下一片烏黑。稀里糊涂的三毛隨后參加了一支敢死隊,笑話百出的他和隊友們竟一股全殲了敵軍?! 】箶秤泄?,三毛高升到后勤部,不用再上戰場了,卻成了師長姨太太的跟班。整天被使喚也鬧了不少笑話。不料兵敗師長自殺,三毛又重投兵營。一次執行空降任務時,三毛和以前的知心戰友遭到伏擊,大難不死卻落入深山。一等就等到了抗戰結束,三毛和戰友早已成了野人。