晚娘2

★ 5.7 播放：57萬 更新：2026-04-24

一次偶然中，太普（Andy-Watchra Thungkaprasert 飾）結(jié)識了名叫麗安（海倫.妮瑪 Helen Nima 飾）的美麗女子，麗安的溫柔和善良吸引了太普的注意。回到家中后，太普才發(fā)現(xiàn)，原來麗安是父親新娶的妻子，是自己名義上的母親。 太普的父親是個性格十分粗暴的男人，他曾經(jīng)救過麗安的性命，如今，麗安用以身相遇來報答他的恩情。在太普父親的眼中，麗安不過就是一個保姆外加他發(fā)泄獸欲的對象。發(fā)現(xiàn)了父親對麗安的所作所為，太普十分憤怒，他和父親之間好不容易回暖的關系也因此而跌入了冰點。太普一直壓抑著心中對于麗安的感情，麗安亦是如此，然而，感情最終迎來了決堤的那一天。 　　

在線播放

劇情簡介

一次偶然中，太普（Andy-Watchra Thungkaprasert 飾）結(jié)識了名叫麗安（海倫.妮瑪 Helen Nima 飾）的美麗女子，麗安的溫柔和善良吸引了太普的注意。回到家中后，太普才發(fā)現(xiàn)，原來麗安是父親新娶的妻子，是自己名義上的母親。 太普的父親是個性格十分粗暴的男人，他曾經(jīng)救過麗安的性命，如今，麗安用以身相遇來報答他的恩情。在太普父親的眼中，麗安不過就是一個保姆外加他發(fā)泄獸欲的對象。發(fā)現(xiàn)了父親對麗安的所作所為，太普十分憤怒，他和父親之間好不容易回暖的關系也因此而跌入了冰點。太普一直壓抑著心中對于麗安的感情，麗安亦是如此，然而，感情最終迎來了決堤的那一天。 　　

導演精選

安昂傳奇：最后的氣宗

 派拉蒙和尼克宣布“降世神通”系列開發(fā)三部新的電影，仍是動畫形式。第一部由《降世神通：最后的氣宗》導演Lauren Montgomery執(zhí)導，《最后的氣宗》主創(chuàng)Bryan Konietzko和Michael DiMartino擔任制片人。

鬼眨眼

　　A filmmaker discovers a box of video tapes depicting two students' disturbing film project featuring a local horror legend, The Peeping Tom. As he sets out to prove this story is real and release it as a work of his own, he loses himself and the film crew following him into his project.

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.