唐璜

? 0.9 播放：09萬 2026-04-26

在Jon（約瑟夫·高登-萊維特暫無內容Joseph暫無內容Gordon-Levitt暫無內容飾）的人生里他只在乎這幾件事：健身、飆車、去教堂、泡妞和看色情錄像。雖然Jon的周圍并不缺少和他上床的漂亮姑娘，可是Jon從來沒有從與這些女孩的關系中得到滿足感。相反，只有在看色情錄像的時候Jon才能感受到“忘我的快感”。Jon不知不覺間將這樣的矛盾帶入了與新女友芭芭拉（斯嘉麗·約翰遜暫無內容Scarlett暫無內容Johansson暫無內容飾）的關系中。雖然Jon不可自拔瘋狂地愛上了芭芭拉，可是芭芭拉不能接受男友背著自己看色情錄像這個事實。而這時熟女艾斯特（朱麗安·摩爾暫無內容Julianne暫無內容Moore暫無內容飾）的出現令Jon對男女關系產生了新的認識。當面對美麗的女友和令人不能自拔的色情錄像，Jon將做出怎樣的選擇？而這兩個女性又將給Jon在對待男女關系的態度上帶來怎樣的改變？

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劇情提要

在Jon（約瑟夫·高登-萊維特暫無內容Joseph暫無內容Gordon-Levitt暫無內容飾）的人生里他只在乎這幾件事：健身、飆車、去教堂、泡妞和看色情錄像。雖然Jon的周圍并不缺少和他上床的漂亮姑娘，可是Jon從來沒有從與這些女孩的關系中得到滿足感。相反，只有在看色情錄像的時候Jon才能感受到“忘我的快感”。Jon不知不覺間將這樣的矛盾帶入了與新女友芭芭拉（斯嘉麗·約翰遜暫無內容Scarlett暫無內容Johansson暫無內容飾）的關系中。雖然Jon不可自拔瘋狂地愛上了芭芭拉，可是芭芭拉不能接受男友背著自己看色情錄像這個事實。而這時熟女艾斯特（朱麗安·摩爾暫無內容Julianne暫無內容Moore暫無內容飾）的出現令Jon對男女關系產生了新的認識。當面對美麗的女友和令人不能自拔的色情錄像，Jon將做出怎樣的選擇？而這兩個女性又將給Jon在對待男女關系的態度上帶來怎樣的改變？

幕后花絮

NO.1

講述了每次吃媽媽做的家常飯時都能看到倒計時數字的河玟的故事。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.