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平原上的迷途
菲利波·斯科蒂,塞爾吉奧·羅馬諾,皮耶爾保羅·卡波維拉,羅伯托·西特蘭,安德里亞·彭納基,Simone Bergamasco,Francesco Busolin,Diego De Francesco,丹尼斯·法索洛,Nicola Rossato,Giuseppe Messina慳錢家族
楊千嬅,陳奕迅,鄭裕玲,曾志偉,黎耀祥,何超儀黑暗之下
丹尼斯·奎德,托尼·奧勒,艾米·緹加登,斯蒂芬·朗斯福德八棺索財
喻恩泰,曹鶴陽,蘇濛濛鱷魚萊萊
肖恩·蒙德茲,哈維爾·巴登,吳恬敏,斯科特·麥克納里,溫斯洛·費格雷,布倫特·吉爾曼,薩爾·維斯庫索,多恩·迪皮塔,尤西·丘辟特,科拉·林德爾,馬克·威爾斯,林賽·莫澤,丹尼·所羅門監(jiān)控錄像
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迷妄國度4
Trupti Agarwal,Gaurav Arora,Ashwath Bhatt秘密是相愛的人之間最大的敵人，就像一顆定時炸彈，伺機(jī)等待毀掉美好的一切。瑞罕聽從沙伊娜的建議，為了更好的工作和生活離開印度再次來到羅馬尼亞，沙伊娜興高采烈的規(guī)劃著二人未來的生活，卻得不到瑞罕的贊同與支持，甚至爆發(fā)了更激烈的爭吵。沙伊娜隱約感覺瑞罕有心事卻不肯說，而更可怕的是沙伊娜漸漸的開始看見一些別人看不到的東西，甚至是莫名其妙的出現(xiàn)在距家?guī)资锿獾碾娫捦s不自知。對于沙伊娜的恐懼，瑞罕卻不以為意。愈演愈烈的詭異行為究竟是沙伊娜的惡作劇，還是存在著可怕的操控者？適時出現(xiàn)的阿迪蒂亞這位前男友能否代替瑞罕拯救沙伊娜？相愛的兩個人又將面對怎樣的結(jié)局... ...
銀河護(hù)衛(wèi)隊：圣誕特別篇
克里斯·帕拉特,龐·克萊門捷夫,戴夫·巴蒂斯塔,凱文·貝肯,邁克爾·魯克,布萊德利·庫珀,范·迪塞爾,凱倫·吉蘭,肖恩·古恩,瑪麗亞·巴卡洛娃,Old 97's,盧克·克萊因,凱拉·塞吉維克,大衛(wèi)·莫斯科維茨,史蒂芬·布萊克哈特這個假期將會是最棒的。漫威電影公司特別預(yù)告:《銀河護(hù)衛(wèi)隊》假日特輯，將于11月25日在迪士尼+上播放。
大熊
亞當(dāng)·布羅迪,泰勒·萊伯恩,巴勃羅·施瑞博爾,托比·哈斯,喬伊·科恩,扎克里·奈頓,Heidi HeasletBIG BEAR is about Joe (Joey Kern) who reluctantly has his bachelor party even though his fiancé just dumped him for some Dude (recent Emmy nominated. Pablo Schreiber).
印度超人
佩麗冉卡·曹帕拉,赫里尼克·羅斯?jié)h,納薩魯丁·沙延續(xù)了印度英雄羅希的故事：羅希得到外星人所賦予的超能力與智慧后，邂逅了一位美麗女子并生下兒子克里許那。然而因為一場交通意外，克里許那失去了雙親，和祖母相依為命。 當(dāng)克里許那長大成人后，他發(fā)現(xiàn)自己除了從父親身上遺傳了俊俏臉龐外，竟同時擁有超能力，而這種力量將會改變他的一生。一次偶遇，克里許那愛上從新加坡來的少女琵莉亞，其后琵莉亞回國，克里許那傷心不已，祖母便建議他到新加坡去追尋自己的真愛。 一晚，克里許那與琵莉亞去欣賞一個馬戲團(tuán)表演，卻發(fā)生了大火，堵住了所有的出口，把觀眾和馬戲團(tuán)團(tuán)員都困在帳棚里。絕望的觀眾在火場中只能期待渺茫的奇跡。此時，克里許那馬上化身為奇魔俠并發(fā)揮了他強(qiáng)大的力量，拯救了所有在場的人。 經(jīng)此一役，克里許那領(lǐng)悟到他強(qiáng)大力量的背后，背負(fù)著保護(hù)大眾的宿命，而這個宿命的最終任務(wù)，就是對抗邪惡博士，阻止他控制世界的駭人計劃……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.