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最后的日出
張玨,張苒春苗
李秀明,高寶成,達式常,林彬,白穆,于飛,李保羅,趙抒音,于元奇弗蘭肯斯坦的詛咒
彼得·庫欣,哈澤爾·考特,羅伯特·厄克特,克里斯托弗·李,梅爾文·海斯,瓦萊麗·岡特毀滅者2
Terry Kiser,Cody Renee Cameron,Eva Hamilton捏造貝多芬
山田裕貴,古田新太,染谷將太,神尾楓珠,前田旺志郎,小澤征悅,生瀨勝久,小手伸也,野間口徹,遠藤憲一,藤澤涼架,新原泰佑,前原瑞樹,堀井新太,坪倉由幸,西田尚美,市川紗椰,安井順平,泉澤祐希,前野朋哉頭顱游戲
Carly Steel,萊昂納德·羅伯茨,杰咪·希爾,Edward Gelhaus,卡梅隆·博文,克里斯·海耶斯,Sidney Allison同類推薦
誓不遺忘
帕斯·貝加,西蒙·貝克,肯·戴維蒂安,科洛·莫瑞茲帕茲和西蒙是一對夫婦,他們與西蒙的女兒生活在一個小鎮上。西蒙是一支女子足球隊的教練。一個偶然的機會,西蒙的女兒在踢球時發現有人正在進行宗教儀式。她走近并拿走了一個器物,然而不久之后,女兒神秘失蹤了。西蒙和帕茲非常擔心女兒的安危,他們四處打聽消息,而西蒙尤為焦急。為了找到女兒,帕茲一方面為她祈禱,一方面尋求靈媒的協助。通過與西蒙的接觸,靈媒得以看到一些景象:一個男人被兩個人殺害,小女孩藏在床底下,倒立的十字架,紅色窗簾覆蓋在尸體上。 西蒙聽到這些描述感到震驚和恐懼,他急不可耐地與久未聯系的母親取得聯系,希望她能幫忙打聽消息。帕茲的表哥在警局工作,他雖然知道FBI已經接手此案,但仍愿意協助打聽消息。于是,西蒙和表哥一起前往人員繁忙的紅燈區。就在他們與負責該區域的警官交談時,一個妓女認出了西蒙,但叫他羅伯特。西蒙堅稱她認錯了人,妓女于是在紙巾上寫下一行字,邀請他私下交談。當晚,西蒙前往約定地點,但發現妓女已被殺。
牧群
The first feminist vegan horror film, The Herd has been rejected by some film festivals for being too horrific or political. A number of kidnapped women are kept imprisoned in a squalid medical facility condemned to a life of enforced servitude at the whims of their captors, without any hope of rescue or escape.
金箍上的裂痕
【內容由AI生成】畫手林默在AI霸權時代陷入創作焦慮 。西游世界中,真大圣憑借金箍裂痕覺醒 ,單槍匹馬擊碎黑六耳幻化的巨型機械妖猴 。隨著妖猴崩解,被囚禁的數據化作千萬個神采各異的大圣眾生相。現實中,林默拒絕AI優化并關上電腦,回歸初心。他在爺爺墓前及街頭孩童揮舞廉價金箍棒的歡笑中領悟到,AI雖能模擬形態,卻無法替代人在不完美中堅守本心的“選擇”。
恭喜發財
石天,譚詠麟,柏安妮,林子祥在現代都市里,居然出了奇怪的大事。某日從天降下一位怪人,而且自稱財仙(譚詠麟),為了逃避群眾追趕,而湊巧遇上了茶室老板及其女兒愛玲、兒子彬彬。隨即他變被打扮成時代青年財仙,替老板解決了不少難題,更積極傳播真理,讓身邊的人人都能幸??鞓贰:髞?,財仙為救汽車失事的愛玲,使用法力搶救但似的自己變成凡人。而后更遭太空署人員圍捕,幸得眾人齊心救援,方才遇難呈祥、逢兇化吉?! ∠愀厶旎始壍母枋肿T詠麟早期80年代的電影作品。譚詠麟雖然憑《假如我是真的》奪得第十八屆金馬獎男主角,但是要數出他的代表作也不容易。因為他所主演的片子大多走搞笑路線,觀眾大多笑完即止。不過其中《小生怕怕》、《少爺威威》、《恭喜發財》也算得上當時優秀的喜劇作品,而且對于在樂壇上作全力沖刺的譚詠麟來說,能出演40多部電影,也可算是一個神話。延續了此前《小生怕怕》、《少爺威威》等片的商業熱力,本片推出后也大獲成功,贏得了接近兩千萬的高票房,站到了年度賣座電影的前五名之內。故事的結局和所有的賀歲片如出一轍,同樣是皆大歡喜。樂呵呵的看完電影,但演員們的精彩表現還是讓人津津樂道,至今翻看起來仍舊能回味無窮。
那個人在想什么事情
John Price,Preben Neergaard,Lotte TarpThe main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.