在線播放
劇情簡介
《Nam暫無內容Man暫無內容Prai》是一部由Wanida暫無內容Termthanaporn、Pramote暫無內容Thianchaikerdsilp和Kreangsak暫無內容Riantong主演的電影。一個年輕的女人(WanidaTermthanaporn),她被一個懷孕的女人的靈魂附身,而她的童年朋友Lek(Pramote暫無內容Tianchaikerdsilp)用燃燒死去的孕婦的下巴做了一種愛的藥劑。
同類好片
約束的罪行
塞西莉亞·羅特,米格爾·安吉爾·索拉,本杰明·阿瑪迪奧,索菲亞·哥拉,亞尼娜·阿維拉,迭戈·克雷莫內西,保羅·巴林托斯,馬塞洛·索比奧托,瑪麗婭·瑪努爾,馬塞洛·丹德烈亞,克拉拉·科瓦西奇滅絕2015
馬修·福克斯,杰弗里·多諾萬,奎恩·麥克科甘,Valeria Vereau,克拉拉·拉戈,Eduardo Fedriani,Matt Devere,Alex Hafner,Jeremy Wheeler,Katharine Bubbear,麗麗·博爾丹,胡里奧·佩里蘭,Orsolya Bene,Adam Zambryzcki,nm5099682 Daniel Bargue?o復仇1978
塞爾玖·尼古拉耶斯庫,J·迪尼克,J·康斯坦丁獵殺游戲
格倫·鮑威爾,喬什·布洛林,邁克爾·塞拉,科爾曼·多明戈,凱蒂·M·奧布萊恩,李·佩斯,威廉·H·梅西,西恩·海耶斯,大衛·札亞斯,杰米·勞森,艾米莉亞·瓊斯,卡爾·格洛斯曼,丹尼爾·埃茲拉,李·查爾斯,桑德拉·迪金森,喬治·卡羅爾,索菲·西蒙特,奧妮克·阿德莉,喬伊·安沙,布蘭登·伯克競時出擊
王韜,魏小歡,江佳桐,李江瑤拼圖殺機
池承炫,李世美,姜其永,楊明憲,英健,方秀衡,姜多賢,宋東煥,元賢俊,???,趙潤鎬人氣佳作
末日逃生2:遷移
杰拉德·巴特勒,莫蕾娜·巴卡琳,羅曼·格里芬·戴維斯,蘇菲·湯普森,艾波·羅絲·雷瓦,威廉·阿巴迪,托米·厄爾·詹金斯,斯榮德·福斯·奧瓦格,Rachael Evelyn,Nathan Wiley,彼得·多卡普,Alex Lanipekun,戈登·亞歷山大,西塞爾·西姆·科赫,吉安尼·卡爾切蒂,Tommi Thor Gudmundsson,Shayn Herndon,莉亞·珀金斯,貢納·貝西·比昂森,Gina Gangar平原上的迷途
菲利波·斯科蒂,塞爾吉奧·羅馬諾,皮耶爾保羅·卡波維拉,羅伯托·西特蘭,安德里亞·彭納基,Simone Bergamasco,Francesco Busolin,Diego De Francesco,丹尼斯·法索洛,Nicola Rossato,Giuseppe Messina跳動的心2
特里普蒂·迪姆里,維品·沙爾馬,希坦特·查杜爾韋迪圍困
尤里·索洛明,葉甫蓋尼·列別杰夫,伊琳娜·阿庫洛娃,列夫·佐洛圖欣,弗拉季斯拉夫·斯特爾熱利奇克,亞歷山大·拉辛,鮑里斯·戈爾巴托夫,謝爾蓋·哈欽科,丹尼爾·薩加爾,Vasiliy Minin,Valentin Abramov,Anatoliy Verbitskiy,米哈伊爾·烏里揚諾夫,Roman Gromadsky,Konstantin Malakhov,Stanislav Fesyunov,Yuri Maltsev,Aleksandr Afanasev,Vladimiras Lido,Yuri Ku導演精選
給我你的愛2
Love faces its toughest test yet as Ashish visits Ayesha's family home. Will the age-gap romance win hearts or stir things up? This Pyaar vs Parivaar clash promises a relatable, riotous ride for every kind of audience.
化身博士
基克爾(弗雷德里克·馬奇 Fredric March 飾)是一名知識非常淵博的科學家,他將畢生的經歷都投注到了探索人性的善惡奧妙之中,并且最終制造出了一種可怕的藥劑,這種藥劑能夠令基克爾化身成為海德先生,基克爾將自己所有的惡意和壞念頭都投射到了海德的大腦里。白天,基克爾行醫救人樂善好施,待到夜幕降臨,海德先生便會現身,殺人害命,無惡不作?;藸栍幸晃幻幸淋剑桌麃喣贰せ羝战鹚?Miriam Hopkins 飾)的未婚妻,兩人之間的感情非常的要好,然而,海德先生的存在讓基克爾不自覺的被名叫碧翠絲(Eric Wilton 飾)的放蕩妓女所吸引。分裂的人格讓基克爾感到萬分的痛苦,他想要消滅海德先生。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.