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劇情提要
在一家百貨商店擔(dān)任店經(jīng)理的敏治敏誤解了一個(gè)一直跟蹤她深夜歸還錢包的男子,并向警方報(bào)告了此事。它迷失在明治和世界的記憶中。兩年后,正準(zhǔn)備與未婚夫玄佑結(jié)婚的敏智被一次暴力襲擊綁架。換句話說,由于他的粗心而成為魔鬼的衛(wèi)兵的名字不能被記住。隨著明治試圖擺脫護(hù)送的暴政,這種護(hù)衛(wèi)變得越來越激烈。玄宇在尋找失蹤的敏治時(shí)遇到了不安的過去,她能否擺脫綁架的束縛并回到懷中?
暗夜精選
近戰(zhàn)
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安東尼·邁克爾·豪爾,查理·吉爾萊斯皮爾,漢娜·凱普爾,約翰·卡普洛斯,利麗克·羅斯登帕卡農(nóng)
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爵士之王
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好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
孤獨(dú)癥候群
An epic mosaic of lonely people with crossed destinies who will set their sights on Arthur Morhan, a psychoanalyst on the verge of a breakdown.