水性楊花 Une fille facile

評分：4.7 播放：32萬 更新：2026-04-28

奈瑪（麗絲•洛米 Lise Lomi 飾）是一個天真而又單純的16歲女孩，暑假就要來臨了，和暑假一起來臨的，還有奈瑪 期盼已久的生日，過了這個生日，奈瑪將又向看似豐富多彩的成年人世界邁進了一步。在這個夏天，一直在巴黎生活的表姐索菲亞（札伊亞•蒂哈 Zahia Dehar 飾）回到了奈瑪的身邊，索菲亞和奈瑪見過的所有女孩都不同，渾身上下都散發著神秘的魅力。 奈瑪很快就被索菲亞給深深的吸引了，索菲亞的存在讓奈瑪和好友度度（克洛蒂爾•蔻洛 Clotilde Courau 飾）漸行漸遠，甚至背叛了兩人之前的約定。在海邊，索菲亞邂逅了名為安德斯（伯努瓦•馬吉梅爾 Benoît Magimel 飾）的男子，他散發出的藝術氣息令索菲亞深深著迷。

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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

捕蛇者說

霧山捕蛇人深陷苛政與蛇禍雙重絕境，異變的陰影籠罩村落，一場關乎救贖與守護的博弈悄然開啟。

坐白車的女人

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