母女的秘密授課

★ 1.7 播放：13萬 更新：2026-04-28

真哲和慧靜是戀人。但是兩人的性關系都很生疏，所以對彼此很失望。向真哲告別的慧靜。振哲說朋友暻秀有性愛之神，勸朋友接受教育。性愛的申一九日接受了陳哲，進行了巨大的訓練。生就的早泄的鐵開始一點一點地好起來。通過與女助教的實戰，成為變強鐵的振哲。堂堂正正地去見慧靜。用巨大的精力滿足慧靜的振哲。

在線播放

劇情簡介

真哲和慧靜是戀人。但是兩人的性關系都很生疏，所以對彼此很失望。向真哲告別的慧靜。振哲說朋友暻秀有性愛之神，勸朋友接受教育。性愛的申一九日接受了陳哲，進行了巨大的訓練。生就的早泄的鐵開始一點一點地好起來。通過與女助教的實戰，成為變強鐵的振哲。堂堂正正地去見慧靜。用巨大的精力滿足慧靜的振哲。

導演精選

午夜微博

　　夜深人靜，荒郊野嶺。幾名青年男女去永寧縣某廢棄工廠探險，并全程微博直播。他們為自己的無知和膽大妄為付出巨大代價，最終一死一瘋，另外兩人昏迷不醒，還有一人下落不明。美麗女記者蕭薇（鄧紫衣 飾）的妹妹霈霈及其朋友子妍正是這場意外的受害者，從醫生口中得知，妹妹她們出事前一定受到常人難以想象的驚嚇。蕭薇的搭檔阿康（唐禹哲 飾）調查后發現，霈霈她們前幾日都曾被某神秘微博帳戶@，之后在她們微博中便各自出現一個倒計時的畫面，而業已歸零的正是當前的死者子妍。　　絕不相信鬼神傳說的蕭薇，決定親自涉足永寧工廠一探究竟。伴隨蕭薇和阿康的追查，恐怖真相慢慢浮出水面……

一百樣東西

　　安東尼（馬提亞斯·施維赫夫 Matthias Schweigh?fer 飾）和保羅（弗洛里安·大衛·弗里茨 Florian David Fitz 飾）是從小玩到大的青梅竹馬，兩人共同經歷了太多的事情，彼此之間的友誼堅不可破。成年之后，他們一起創辦了一家公司，這一天，公司覓得了一名非常慷慨的投資人，為了慶祝這件事情，公司里開設了一場盛大的派對，在派對上，玩的興起的安東尼和保羅決定打一個賭，賭注是公司百分之五十的股份。　　安東尼和保羅交出了身上所有的東西，兩人回歸到身無分文的狀態，然后每一天，他們都可以在他們所擁有的東西里拿回一件，如此往復，看誰能夠撐更長的時間，先放棄的人就是輸家。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster