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志愿軍：浴血和平
張子楓,宋佳,朱亞文,陳飛宇,彭昱暢,肖央,王硯輝,郭濤,王傳君,周政杰,張宥浩,吳昊宸,王挺,郭曉東,李晨,杜江,馮紹峰,閆妮,阿如那,曲禾,王雨甜,于謹維,王陽,張雪迎,劉軍,朱一龍,辛柏青,袁凱,梁靖康,于清斌電影《志愿軍》三部曲系列終章《志愿軍：浴血和平》聚焦抗美援朝第五次戰役后直至簽署停戰協議期間“邊打邊談”的作戰歷程。前線戰斗血火交鋒，談判桌上唇槍舌劍，面對敵人的一再挑釁，中華兒女合力反擊，誓要奉陪到底，經過747天的抵死奮戰，終于打破了美軍不可戰勝的神話，搏來了期盼已久的和平。
靈殤
奧古斯特·維特根斯坦,阿爾瑪·特爾齊奇,Aleksandar Seksan,Ella Jazz,Sanin Milavic,Diana Fernández Pérez亞歷斯和莎瑪是一對年輕戀人，他們于前往波斯尼亞與赫塞哥維納中心時車子拋錨在森林里，他們決定向附近的村莊求援。路上，巴爾干戰亂的穆斯林幸存者莎瑪，開始懷疑有神秘力量追高清在跟著他們，而自信、快樂的年輕歐洲人亞歷斯，試圖讓莎瑪甩開這些胡思亂想；但莎瑪緊握著她的穆斯林護身符「哈麥利亞」不放，導致神秘力量從森林里逐漸浮現…
一秒2026
郭曉婷,周國賓,黨偉,鄧鋼在新疆無垠的靜謐雪原上，一個逃離都市的年輕女孩，與一個將回憶鎖進信箋的孤獨老人，意外成為彼此的“臨時家人”。他們一個學著與過去和解，一個學著向未來敞開，在極致純凈的天地間，共同寫就一封關于溫暖、陪伴與重新開始的冬日治愈詩篇。
沉默的艦隊2
大澤隆夫在酷寒的北方海域，核潛艇大和號伴隨著莫扎特的旋律，開始了駛向紐約聯合國總部的深海航程。在美俄交界的白令海峽，一艘性能全面碾壓大和號的美國核潛艇正悄然逼近。此刻，寒冷的北冰洋上，碎裂的浮冰之間，一場激戰就此拉開帷幕。
火箭手
比利·坎貝爾,詹妮弗·康納利,艾倫·阿金,提摩西·道爾頓,保羅·索維諾,特瑞·歐奎恩,埃德·勞特爾,詹姆斯·漢迪,Robert Miranda,喬·鮑里托,埃迪·瓊斯,威廉·桑德森,Nada Despotovich,瑪格·馬丁戴爾,America Martin,馬克斯·格隆切克,邁克爾·米爾漢,喬·達安格里奧,克林特·霍華德,Tommy J. Huff,帕特·克勞福德·布朗,朱利安·巴恩斯,彼得·布羅米洛,Tom Kindle,威廉·弗蘭克神父,諾伯特·魏塞爾,梅羅拉·哈丁,瑞克·歐弗頓,Dick War《火箭人》（The Rocketeer）是迪士尼１９９１年推出的電影，故事題材是由 Dave Stevens 同名的圖文小說改編而成?！ ”酒前l生在１９３０年代的好萊塢，有一個軍方的秘密武器意外落在一位競技表演飛行員 Cliff Secord 手中，他對此一推進器頗感驚奇， 最后他背上了這付怪東西、戴上面具，成了行俠仗義的『火箭人』，然而各方人馬都想奪得這項秘密武器，尤其有一位好萊塢影壇的知名男演員 Neville Sinclair ，他其實是納粹潛伏在好萊塢的情報份子，為了奪得火箭，他還挾持了 Cliff 的女友 Jenny Blake，火箭人 Cliff 于是展開他的救援行動?！ ”酒伞队H愛的我把孩子縮小了》、《野蠻游戲》、《侏羅紀公園３》以及《百勝天龍》影集的知名導演 Joe Johnston 所執導，他同時也是《星際大戰》系列的特效大師。至于演員方面，男主角 Cliff 由 Bill Campbell 擔任，女主角則是 Jennifer Connelly，至于片中那位大反派間諜演員，則是由曾演過００７的 Timothy Dalton 擔任。 本片配樂的是 James Horner ，原本原聲帶都已經絕版多年，但在前幾年《鐵達尼號》造成發燒的時候， James Horner 的作品又造成熱潮，迪士尼旗下的好萊塢唱片于是再版發行了這張電影原聲帶，如今則又絕版了。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.