愛情攻略 小姐誘心

★ 6.3 播放：02萬 更新：2026-04-27

　　阿寶（劉心悠 飾）和阿雄（周柏豪 飾）相戀多年，終于攜手步入了婚姻的殿堂，然而，短短一年之后，本應(yīng)該沉浸在新婚的幸福和喜悅之中的兩人卻遇到了無法調(diào)和的巨大問題。床事的不和諧令一對(duì)本來恩愛有加的夫妻之間矛盾重重，盡管兩人都在積極地尋找著解決問題之道，然而事態(tài)卻并沒有好轉(zhuǎn)。　　人人都道詩詠（莊思敏 飾）和國(guó)邦（姜皓文 飾）是令人羨慕的模范夫妻，兩人不僅是社交界寵兒，更是商界大腕。然而，表面幸福美滿的婚姻背后卻傷痕累累，國(guó)邦日益嚴(yán)重的性癮癥讓他和詩詠之間的感情再也無法回到當(dāng)初。與此同時(shí)，“第三者”的插足更是將兩人的婚姻推向了岌岌可危的地步。

在線播放

劇情簡(jiǎn)介

　　阿寶（劉心悠 飾）和阿雄（周柏豪 飾）相戀多年，終于攜手步入了婚姻的殿堂，然而，短短一年之后，本應(yīng)該沉浸在新婚的幸福和喜悅之中的兩人卻遇到了無法調(diào)和的巨大問題。床事的不和諧令一對(duì)本來恩愛有加的夫妻之間矛盾重重，盡管兩人都在積極地尋找著解決問題之道，然而事態(tài)卻并沒有好轉(zhuǎn)。　　人人都道詩詠（莊思敏 飾）和國(guó)邦（姜皓文 飾）是令人羨慕的模范夫妻，兩人不僅是社交界寵兒，更是商界大腕。然而，表面幸福美滿的婚姻背后卻傷痕累累，國(guó)邦日益嚴(yán)重的性癮癥讓他和詩詠之間的感情再也無法回到當(dāng)初。與此同時(shí)，“第三者”的插足更是將兩人的婚姻推向了岌岌可危的地步。

導(dǎo)演精選

鬼姐姐

　　故事講述一個(gè)窮女孩去照顧她失明的富表姐，這個(gè)表姐盡管看不見，卻可以與鬼魂交流。

杜塞

　　A portrait of actress Eleonora Duse.

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.