我的媽媽

★ 4.8 播放:14萬 更新:2026-04-28
主演:思密達(dá) 

英文名:My暫無內(nèi)容Mother暫無內(nèi)容2016,韓國2016年度最新限制級電影

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劇情簡介

英文名:My暫無內(nèi)容Mother暫無內(nèi)容2016,韓國2016年度最新限制級電影

導(dǎo)演精選

樂開懷

  克萊爾(米歇爾·菲佛 飾)組織了一次特別的圣誕郊游活動,而她的家人卻在忙碌中將她遺忘。當(dāng)他們意識到錯誤時(shí),她已經(jīng)失蹤了。他們的圣誕節(jié)岌岌可危,但克萊爾另有打算。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

蔗噬

  一場與虐殺狂魔的生死競速就此展開——販賣幸存者拼死追蹤被綁少女,而自其失蹤后,每一小時(shí)流逝都令少女的生機(jī)愈加岌岌可危