庫梅爾·南賈尼：夜間思緒

惡鬼病毒

改編自二宮敦人的超人氣恐怖小說《惡鬼病毒》，講述YouTuber內(nèi)川智樹帶著他的朋友日名子、颯太和奈々枝來到傳聞中有著神秘失蹤事件的舊石尾村拍攝一段調(diào)查都市傳說的視頻。幾天后，警方在村外的一條隧道附近發(fā)現(xiàn)了四人租用的汽車，而在現(xiàn)場發(fā)現(xiàn)的一臺攝像機(jī)則記錄下了令人震驚的畫面。緊鎖的房屋、身著武裝制服的兒童、被關(guān)起來的成年人，以及在新月之夜發(fā)病的成年人......這個村子里究竟發(fā)生了什么？

康普茶

　　這是一種名叫康普茶的飲料，它可以改變?nèi)说乃季S，使員工工作到死。

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

零食小屋

內(nèi)布拉斯加州，1991年，兩個最好的朋友有機(jī)會經(jīng)營游泳池小吃店，后來成為越軌、娛樂、個人發(fā)現(xiàn)和浪漫的完美場景。

愚者的身份

在社交網(wǎng)絡(luò)上偽裝女性，用話術(shù)誘騙無親無故的男性套取個人信息，從事戶籍買賣的拓也（北村匠海 飾）和守（林裕太 飾），自幼在惡劣環(huán)境中長大，不知不覺已成為黑道組織的爪牙。                                                                      　　盡管涉足灰色產(chǎn)業(yè)，這兩個時常插科打諢的年輕人，本質(zhì)上只是普通的都市青年，彼此相依為命。當(dāng)拓也在黑道引路人、猶如兄長般存在的梶谷（綾野剛 飾）的協(xié)助下，決心與守一同逃離這個黑暗世界時，等待他們的卻是......