安吉的治療

　　十年前，一位在派對上被強奸的年輕女子，飽受創傷，抓住難得的機會，向施暴者反擊。然而，復仇的甜蜜滋味，卻讓她變成了多年來一直恐懼的那個怪物。這段驚險刺激的旅程將讓你緊張不安，模糊是非對錯的界限。隨著權力格局的不斷變化，安吉的治愈之路也引出了一個問題：“為了擺脫創傷，你愿意付出多少？”

翼

 故事發生在第一次世界大戰期間，瑪麗（克拉拉·鮑 Clara Bow 飾）暗戀著英俊的杰克（查爾斯·巴德·羅杰斯 Charles 'Buddy' Rogers 飾），可是杰克的心思卻全部放在了大小姐西爾維婭（喬拜娜·勞斯頓 Jobyna Ralston 飾）身上，無奈西爾維婭亦有她的心上人，那就是富家子弟大衛（理查德·阿倫 Richard Arlen 飾）。戰爭爆發了，大衛和杰克投身軍隊為國家效力，在軍中，身為情敵的兩人關系漸漸緊密，之后成為了摯友。一場激烈的戰役中，大衛遭遇了意外，悲痛的杰克決心為朋友報仇。然而，杰克并不知道的是，大衛沒有死，他甚至偷到了一架敵機。正當大衛喜滋滋地駕駛著敵機返回營地之時，與為朋友報仇心切的杰克撞了個正著。

精靈寶可夢：幻影的霸者索羅亞克

 在風景秀麗，氣候宜人的王冠市，即將舉行神奇寶貝足籃世界杯比賽，屆時，大批的觀眾和訓練師會涌入此處，整個城市將會陷入一片歡樂的海洋之中。小智（松本梨香 配音）一行人正在前往王冠市的路上，旅途中，他們遇見了名為索羅亞的神秘神奇寶貝，它不僅能夠幻化成人類的姿態，還能夠通過心電感應和人類交流。小智和索羅亞結伴前行，哪知道王冠市竟然發生了神奇寶貝暴動事件，雷公、炎帝和水君本是城市的守護神，卻不知為何向市民們發起了進攻，城市之中一片混亂景象。這一切的始作俑者是名為克林克斯（陣內孝則 配音）的企業家，而他亦是索羅亞想要尋找的同伴。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

老板和小可愛

照亮黑暗

Follows the relentless journey of a determined young woman as she unravels the disturbing truth behind a serial rapist.