影片推薦
浪扼三焦
卡拉·朱里,Véronique Tshanda Beya,Esperanza Martin González-Quevedo,Alessia Raschellà,沙夏·萊伊印度超人前傳
瑞哈,赫里尼克·羅斯漢,普麗緹·澤塔,拉克什·羅斯漢,Prem Chopra,Rajat Bedi,喬尼·里沃,穆克什·里希教皇行動
卡羅利娜·格魯什卡,博古斯瓦夫·林達,伊雷紐什·喬普玄機衛之鎮國神鼎
賀剛,袁福福,李夢穎,劉林城,寇振海,老羊,曉凡,陽蕾母親2009
金惠子,元斌,晉久,尹宰文,全美善,宋清晨,千玗嬉,鄭煐禥,高圭弼,李美度,樸明申,李姃垠哪吒鬧海
梁正暉,邱岳峰,畢克,富潤生,尚華,于鼎同類精選
電子云層下
梅拉布·尼尼澤,丘爾潘·哈馬托娃,拉米爾·薩爾霍烏德諾夫,卡里姆·帕卡什科夫,阿納斯塔西婭·梅利尼科娃,彼得·戈薩沃斯基,路易斯·弗蘭克,維克托·博科夫,維多利亞··科如托科娃洛杉磯之戰
艾倫·艾克哈特,拉蒙·羅德里格茲,威爾·羅斯海爾,科里·哈德里克,吉姆·帕拉克,基諾·安東尼·佩西,尼歐,詹姆斯·廖,布里吉特·莫伊納漢,諾爾·費舍,阿德托庫姆布斯·麥克馬克,布賴斯·卡斯,邁克爾·佩納,米歇爾·羅德里格茲,小尼爾·布朗,泰勒·漢德雷,喬伊·金,盧卡斯·提爾,Kenneth Brown Jr.,雅丹·古爾德,喬·克里斯特,E·羅杰·米切爾,羅斯·布萊克維爾,蘇西·阿布羅梅特,布蘭迪·科爾曼,大衛·詹森,湯姆·希爾曼,莉娜·克拉克,塔琳·薩瑟恩,詹姆斯·D·德弗,Dane Brown,Gra黎娜需要愛
艾米利亞·舒勒,雅尼克·許曼,Kyra Sophia Kahre塔米·菲的眼睛
杰西卡·查斯坦,安德魯·加菲爾德,切莉·瓊斯,文森特·多諾費奧,馬克·懷斯特拉克,山姆·賈格,路易斯·坎瑟米,加布里埃爾·奧爾德斯,弗瑞德里克·林恩,錢德勒·海德,杰伊·胡古雷,格蘭特·歐文斯,柯莉·坎帕尼,杰絲·威克斯勒,林賽·艾利夫,蘭德爾·P·海文斯,Joe Ando-Hirsh,德魯·布羅德里克,布倫特·莫雷爾·加斯金斯,Tanya Jacobson,小唐納德·諾里斯,Dan Johnson,Michael MacCauley籠困
Arié Elmaleh,Zoé Félix,Goran Kostic比佛利拜金狗3
奧黛塔·安納布爾,艾米麗·奧斯蒙特,弗蘭西絲·費舍影視排行
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
厲嘯崩心
Gina Henkel,安東·威爾,帕維·德朗柯As bacteriologist Lena (38) drives past a burning car, she hears a scream of a dying woman. Lena does not tell her boyfriend how much the incident distresses her, just as she does not talk about the stillbirth she recently had. Instead, she throws herself into her work, intrudes into the life of the deceased, begins an affair with the widower and gradually takes on the role of mother to their son. Her persistent insomnia causes her to lose control between dreams and reality. Finally she accepts the help of a whisperer and then finds her own way to cope with her loss
魔法壞女巫2
辛西婭·埃里沃,愛莉安娜·格蘭德,杰夫·高布倫,楊紫瓊,喬納森·貝利,伊桑·斯萊特,瑪麗莎·博德,彼特·丁拉基,科爾曼·多明戈,亞當·詹姆斯,艾米麗·蒂爾尼,艾琳·巴特爾,邁克爾·瓜內拉,莎拉-杰恩·里德爾,雅雅·哈姆扎,瑞安·曼,喬爾·斯特恩,利里奧·博阿滕,莉茲·艾森,里卡多·盧德羅·蘇薩,卡勒姆·鮑耶自從艾芙芭(辛西婭·埃里沃 飾)與格琳達(愛莉安娜·格蘭德 飾)分道揚鑣、形同陌路之后,各自承受她們做出的抉擇所帶來的后果。 被冠上“西方壞女巫”惡名的艾芙芭遭到放逐后,隱居在奧茲國樹林深處,但是卻仍然為被噤聲的動物爭取自由而奮斗,并且迫切地想要揭露她所知道關于奧茲國大巫師(杰夫· 高布倫 飾)的真相。 與此同時,格琳達已經成為奧茲國光鮮亮麗的良善象征,她住在翡翠城皇宮中, 享受她的響亮名聲和超高人氣所帶來的明星光環與特權。在莫里貝爾夫人(楊紫瓊 飾)的安排下,格琳達成為奧茲國人民眼中充滿粉紅泡泡的安撫力量,并且讓他們相信奧茲國在大巫師的統治之下一切都很好。 當格琳達的明星光環越來越閃亮,她也準備和費耶羅王子(喬納森·貝利 飾)舉行一場盛大的婚禮,但是她卻一直受到她和艾芙芭分開后的陰影所糾纏。她試圖促成艾芙芭與大巫師之間的和解,然而她所有的努力都以失敗告終,使得艾芙芭和格琳達的關系越來越疏遠。她們的關系決裂所造成的影響,將徹底改變博克(伊森·斯萊特 飾)與費耶羅的命運,也將威脅到艾芙芭的妹妹涅莎蘿絲(瑪麗莎·博德 飾)的安危,而一名來自堪薩斯州的少女也將闖入奧茲國,徹底翻轉他們的世界。 當一群憤怒的民眾揭竿而起,打算對抗西方壞女巫,格琳達和艾芙芭就必須最后一次攜手合作。當她們的友情成為改變她們未來的關鍵,她們就必須以真心誠意和無比的同理心真正了解彼此,并且改變自己,也讓整個奧茲國變得更美好。
安吉的治療
拉內特·塔切爾,肖恩·尼爾森,精華阿特金斯十年前,一位在派對上被強奸的年輕女子,飽受創傷,抓住難得的機會,向施暴者反擊。然而,復仇的甜蜜滋味,卻讓她變成了多年來一直恐懼的那個怪物。這段驚險刺激的旅程將讓你緊張不安,模糊是非對錯的界限。隨著權力格局的不斷變化,安吉的治愈之路也引出了一個問題:“為了擺脫創傷,你愿意付出多少?”