等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

我的曼啊：2025圣誕特別篇

準(zhǔn)備好了沒(méi)2：我來(lái)了

 《準(zhǔn)備好了沒(méi)2》仍然由薩瑪拉·維文主演，導(dǎo)演組合馬特·貝蒂內(nèi)利-奧爾平&泰勒·吉勒特回歸。

牯嶺街少年殺人事件

　　結(jié)識(shí)小明（楊靜怡）前，小四（張震）是典型的乖仔，是父母的希望和兄妹的驕傲（一家人指望他考上名牌大學(xué)將來(lái)提升全家的社會(huì)地位），他有一個(gè)喜歡搖滾樂(lè)的自稱(chēng)“小貓王（王啟贊）”的好友，兩人雖會(huì)去樹(shù)林看人幽會(huì)，但過(guò)的是與周?chē)T多在“小公園”混的少年人完全兩樣的生活。　　喜歡上小明后 ，小四便像跌進(jìn)一個(gè)無(wú)底深淵，開(kāi)始被外界的各種力量牽著鼻子走。新識(shí)仰慕對(duì)象honey（林鴻銘）意外身亡，一向敬重的父親的自尊與精神因?yàn)槟炒问录?yán)重受損，加上將一次次“欺騙玩弄”他感情的小明“看透”，血?dú)夥絼傆钟泻軓?qiáng)道德感的小四終于走上犯罪的道路，期望用自己的刀結(jié)束事件的根源。但小四不知的是，他眼中的根源只是這條食物鏈中微不足道的一環(huán)。

大電影之?dāng)?shù)百億

　　以乳鴿店立身的安德森（曾志偉 飾）赴上海創(chuàng)業(yè)，卻迷上炒房，將妻子氣死也未思悔改，這天安德森在影院偶然聽(tīng)到代言新樓盤(pán)“碧水云居”的過(guò)氣演員潘志強(qiáng)（黃渤 飾）放出的“內(nèi)部消息”，遂再次籌款預(yù)搶購(gòu)新房。與此同時(shí)，新婚的昔日售樓小姐羅茜（姚晨 飾）為碧水云居付出五萬(wàn)訂金后，驚系該樓盤(pán)周邊林立各污染源。潘志強(qiáng)擔(dān)任樓盤(pán)主持嘉賓并為售樓公司鞍前馬后，只希望對(duì)方能為自己的新片注資，不料卻被要求退還訂金的羅茜糾纏，潘志強(qiáng)心生一計(jì)，令羅茜將房轉(zhuǎn)賣(mài)安德森，事成后自食其言拒退訂金，羅茜無(wú)奈只得曝光樓盤(pán)內(nèi)幕，結(jié)果引發(fā)連串反應(yīng)，使潘志強(qiáng)與安德森發(fā)現(xiàn)自己陷入了開(kāi)發(fā)商之局，于是各人苦思脫身之法……

超時(shí)空獵殺

　　2020年，在香港首次發(fā)現(xiàn)穩(wěn)定蟲(chóng)洞，人們可以通過(guò)穩(wěn)定蟲(chóng)洞回到歷史上的時(shí)間節(jié)點(diǎn)，為了防止有人通過(guò)蟲(chóng)洞回到歷史并破壞歷史，時(shí)空管理局應(yīng)運(yùn)而生。 時(shí)空管理局擔(dān)負(fù)著校正歷史、讓歷史按著既定軌道運(yùn)行的使命。然而時(shí)空守衛(wèi)隊(duì)隊(duì)長(zhǎng)左石，卻突然率領(lǐng)五名部下，攜帶著超出時(shí)代進(jìn)程的槍支武器，闖入蟲(chóng)洞，回到了歷史中的秦陽(yáng)城，意圖以顛覆歷史要挾時(shí)管局在48小時(shí)內(nèi)關(guān)閉蟲(chóng)洞。 為了挽救歷史，女探員景彤臨危受命與前守衛(wèi)隊(duì)隊(duì)長(zhǎng)秦朗，帶領(lǐng)新組建的守衛(wèi)隊(duì)，配備青銅武器回到歷史之中，阻止左石一行。